
Art Restoration Course
Master the full spectrum of art restoration practice, from materials science and ethical frameworks to hands-on cleaning, structural repair, and aesthetic reintegration. This course equips you with the technical knowledge and professional skills that museums, private collectors, and conservation studios demand. Whether you are entering the field or deepening existing expertise, you will graduate ready to handle real restoration projects with confidence.
What you'll learn:
Study the history and ethics of conservation and the international standards that guide professional decisions. Analyse chemical and physical deterioration of paintings, sculptures, works on paper, and photographs. Practise systematic condition assessment, produce precise reports, and select compatible treatment materials. Hands‑on sections cover controlled cleaning, structural stabilisation, and reversible inpainting for various artwork types. Explore preventive conservation, digital documentation tools, provenance research, and cultural property law. Develop business and communication skills to manage projects, write treatment proposals, and collaborate effectively with clients and institutions.
How you study in practice Art Restoration Course
How you practise Art Restoration Course
For businesses looking to train their team
With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.
Course content
8 Chapters • 38 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Art Restoration
Foundations of Art Restoration
Lesson 1 • Core Ethics and Professional Standards
Covers reversibility, minimal intervention, and authenticity principles. Connects ethical frameworks to daily decision-making in restoration work.
Lesson 2 • History of Art Restoration Practice
Traces restoration from ancient repairs to modern conservation science. Establishes historical context that informs current ethical and technical standards.
Lesson 3 • Roles in the Conservation Field
Defines conservator, restorer, curator, and scientist roles and their collaboration. Clarifies professional boundaries students will navigate in real projects.
Lesson 4 • Overview of Artwork Categories
Introduces paintings, sculptures, works on paper, and mixed-media objects. Provides a taxonomy students use throughout the course to organise techniques.
Chapter 2HideHide detailsSee detailsMaterials Science for Restorers
Materials Science for Restorers
Lesson 1 • Organic and Inorganic Artistic Materials
Examines pigments, binders, supports, and coatings at a molecular level. Grounds students in material composition before studying deterioration mechanisms.
Lesson 2 • Compatibility of Treatment Materials
Evaluates adhesives, consolidants, and fill materials for compatibility with originals. Prepares students to make evidence-based material selections.
Lesson 3 • Reading Material Safety Data
Teaches interpretation of safety data sheets and hazard classifications. Ensures students handle restoration chemicals safely and legally.
Lesson 4 • Environmental Factors in Deterioration
Covers humidity, temperature, light, and pollutants as deterioration drivers. Links environmental control to preventive conservation strategies.
Lesson 5 • Mechanisms of Deterioration
Analyses chemical, biological, and mechanical degradation pathways. Enables students to diagnose damage causes before selecting treatments.
Chapter 3HideHide detailsSee detailsExamination and Condition Assessment
Examination and Condition Assessment
Lesson 1 • Risk Assessment and Treatment Priority
Evaluates urgency of deterioration and ranks treatment interventions. Bridges condition assessment to actionable, prioritised treatment proposals.
Lesson 2 • Condition Mapping and Documentation
Teaches systematic mapping of damage types onto scaled diagrams. Produces standardised records essential for treatment planning and future reference.
Lesson 3 • Visual Examination Techniques
Introduces raking light, transmitted light, and UV fluorescence examination. Establishes the visual toolkit used before any analytical instrument is applied.
Lesson 4 • Scientific Analytical Methods
Covers X-ray radiography, X-ray fluorescence, and spectroscopic techniques. Connects scientific data to material identification and treatment planning.
Chapter 4HideHide detailsSee detailsPreventive Conservation Strategies
Preventive Conservation Strategies
Lesson 1 • Lighting Design for Collections
Covers lux levels, UV filtration, and LED lighting selection for artworks. Enables students to specify lighting that balances visibility and preservation.
Lesson 2 • Climate Control and Monitoring
Establishes target ranges for humidity and temperature in storage and display. Connects climate data to material stability outcomes studied in Chapter 2.
Lesson 3 • Safe Handling and Packing
Teaches correct lifting, carrying, and packing techniques for various artwork types. Prevents mechanical damage during routine movement and loan transport.
Lesson 4 • Integrated Pest Management
Introduces monitoring, quarantine, and non-chemical pest control for collections. Protects organic materials from biological damage without harmful chemical exposure.
Lesson 5 • Disaster Preparedness and Response
Develops emergency plans for fire, flood, and theft affecting collections. Prepares students to lead rapid salvage operations that minimise irreversible loss.
Chapter 5HideHide detailsSee detailsCleaning and Surface Treatment
Cleaning and Surface Treatment
Lesson 1 • Aqueous and Solvent Cleaning Systems
Covers water-based, surfactant, and organic solvent systems for surface cleaning. Teaches solubility parameter theory to guide solvent selection for each substrate.
Lesson 2 • Mechanical Cleaning Methods
Introduces scalpel, swab, and micro-abrasive techniques for surface deposits. Complements chemical methods with physical approaches for stubborn or localised soiling.
Lesson 3 • Cleaning Works on Paper and Textiles
Adapts cleaning methods for fragile paper, parchment, and textile substrates. Addresses unique risks of water sensitivity and fibre damage in these materials.
Lesson 4 • Varnish Removal and Thinning
Addresses yellowed and discoloured varnish layers on paintings and objects. Applies solubility testing and controlled thinning to restore optical clarity.
Lesson 5 • Principles of Controlled Cleaning
Defines cleaning goals, selectivity, and reversibility before any solvent is applied. Anchors practical cleaning work in the ethical framework from Chapter 1.
Chapter 6HideHide detailsSee detailsStructural Stabilisation and Repair
Structural Stabilisation and Repair
Lesson 1 • Works on Paper: Structural Repair
Covers tear mending, backing removal, and paper support with Japanese tissue. Applies minimal intervention principles to fragile paper and parchment objects.
Lesson 2 • Canvas and Panel Support Treatment
Addresses tears, deformations, and structural weakness in painting supports. Teaches lining, strip-lining, and panel stabilisation as reversible interventions.
Lesson 3 • Sculpture and Object Stabilisation
Addresses joins, breaks, and structural instability in three-dimensional objects. Extends consolidation and adhesive skills to ceramics, stone, metal, and wood.
Lesson 4 • Documentation of Structural Treatments
Records all structural interventions with photographs, diagrams, and material lists. Creates the treatment record required for future conservators and institutional archives.
Lesson 5 • Consolidation of Flaking Paint Layers
Covers adhesive selection and application for lifting and flaking paint. Builds on material compatibility knowledge from Chapter 2 to prevent further loss.
Chapter 7HideHide detailsSee detailsInpainting and Aesthetic Reintegration
Inpainting and Aesthetic Reintegration
Lesson 1 • Inpainting Media and Reversibility
Evaluates watercolour, gouache, and conservation-grade paints for inpainting. Prioritises reversibility and ageing stability in media selection.
Lesson 2 • Inpainting Techniques and Strategies
Teaches tratteggio, pointillism, and neutral toning as distinguishable inpainting methods. Connects technique choice to ethical visibility standards and artwork context.
Lesson 3 • Fill Preparation and Levelling
Covers fill material selection, application, and levelling to match surrounding surface. Prepares a stable, correctly textured ground for subsequent inpainting.
Lesson 4 • Final Varnishing and Surface Unification
Applies final varnish layers to unify gloss and protect completed inpainting. Concludes the aesthetic reintegration process with a reversible protective coating.
Lesson 5 • Colour Matching and Optical Mixing
Develops colour perception skills for accurate matching under varied light sources. Applies colour theory to achieve visually coherent reintegration across loss areas.
Chapter 8HideHide detailsSee detailsTreatment Planning and Project Management
Treatment Planning and Project Management
Lesson 1 • Project Intake and Object Registration
Covers intake forms, object registration, and chain-of-custody documentation. Establishes administrative controls that protect both the artwork and the restorer.
Lesson 2 • Quality Control and Peer Review
Introduces internal review checkpoints and peer critique during treatment. Maintains professional standards and catches errors before they become irreversible.
Lesson 3 • Final Reporting and Object Return
Produces a complete treatment record and prepares the object for safe return. Closes the project with documentation that serves future conservators and owners.
Lesson 4 • Writing a Treatment Proposal
Structures a formal proposal covering condition, rationale, methods, and timeline. Synthesises examination, materials, and ethics knowledge into a client-facing document.
Lesson 5 • Scheduling and Resource Allocation
Applies project management tools to balance multiple restoration projects. Ensures efficient use of studio time, materials, and specialist consultants.
Your valid completion certificate
This course is for you:
Art history graduates: eager to move from theory into hands-on conservation work.
Museum volunteers: ready to formalise their passion with professional-grade restoration skills.
Antique dealers: wanting to assess and stabilise damaged inventory with informed confidence.
Studio artists: curious about how ageing materials behave and how damage gets reversed.
Career changers: drawn to preservation work after years in unrelated professional fields.
Private collectors: determined to make responsible decisions about caring for their artworks.
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