
Choreography Course
Take your movement ideas from concept to stage with a comprehensive choreography course built for serious creators. You will master compositional structures, spatial design, group dynamics, and artistic intention across every phase of the creative process. Whether you are choreographing for the first time or refining your craft, this course gives you the tools to make work that communicates, resonates, and lasts.
What you'll learn:
In this course, you will build a complete choreographic toolkit covering movement analysis, compositional forms, spatial and dynamic design, and the full production process. You will learn how to develop a personal movement vocabulary, structure group works using unison and canon, and create meaningful relationships between movement and sound. You will explore how to embed clear artistic intent into every choreographic decision and communicate that intent to audiences. The course also covers advanced strategies including site-specific work, screen dance, collaborative devising, and portfolio building. By the end, you will have the skills and confidence to create, stage, and present original choreographic works at a professional level.
How you study in practice Choreography Course
How you practise Choreography Course
For businesses looking to train their team
With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.
Course content
8 Chapters • 36 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Choreographic Thinking
Foundations of Choreographic Thinking
Lesson 1 • Developing a Movement Vocabulary
Guides students in identifying and expanding their personal movement range. A broad vocabulary is the raw material for all subsequent compositional work.
Lesson 2 • The Elements of Movement
Introduces body, space, time, and energy as the core movement elements. Students apply these elements as analytical and generative lenses throughout the course.
Lesson 3 • Observation and Kinesthetic Awareness
Trains students to watch movement analytically and sense it internally. These perceptual skills underpin informed choreographic decision-making.
Lesson 4 • What Choreography Is and Does
Defines choreography as intentional movement design across performance contexts. Establishes the scope of the course and situates choreography within broader artistic practice.
Chapter 2HideHide detailsSee detailsCompositional Structures and Forms
Compositional Structures and Forms
Lesson 1 • Applying Form to Short Studies
Synthesises form concepts through the creation and critique of brief movement studies. Students receive structured feedback to refine formal choices.
Lesson 2 • Non-Linear and Open Forms
Explores chance procedures, modular scores, and open-form structures. Students experiment with indeterminate and flexible compositional systems.
Lesson 3 • Classical Compositional Forms
Surveys ABA, rondo, theme-and-variations, and suite structures. Students map these forms onto movement studies to understand their expressive potential.
Lesson 4 • Motif and Development
Establishes the motif as the fundamental building block of choreographic form. Students create motifs and develop them through systematic variation techniques.
Lesson 5 • Phrase Structure and Sequencing
Examines how individual movements link into phrases and how phrases chain into sections. Students practise logical and expressive sequencing decisions.
Chapter 3HideHide detailsSee detailsSpace, Time, and Dynamics in Design
Space, Time, and Dynamics in Design
Lesson 1 • Dynamic Range and Contrast
Trains students to vary effort qualities to create texture and dramatic arc. Contrast in dynamics prevents monotony and sustains audience engagement.
Lesson 2 • Spatial Design and Stage Geography
Maps the performance space as a compositional resource with inherent meaning. Students design floor patterns and formations that communicate intent.
Lesson 3 • Timing, Rhythm, and Musicality
Examines how timing choices shape audience perception and emotional impact. Students practise moving with, against, and independently of musical rhythm.
Lesson 4 • Integrating Space, Time, and Dynamics
Challenges students to manipulate all three design dimensions simultaneously. Integrated control is the hallmark of sophisticated choreographic craft.
Chapter 4HideHide detailsSee detailsWorking with Music and Sound
Working with Music and Sound
Lesson 1 • Movement-Music Relationships
Explores synchrony, counterpoint, and independence as choreographic strategies. Students experiment with each relationship to understand its expressive effect.
Lesson 2 • Choreographing to Silence and Soundscape
Expands sonic options beyond conventional music to include silence and ambient sound. Students discover how non-musical sound shapes movement meaning.
Lesson 3 • Selecting and Editing Sound
Guides students through the practical process of choosing and preparing audio for performance. Ethical and rights considerations in sound selection are addressed.
Lesson 4 • Analysing Music for Choreography
Equips students to dissect musical structure, texture, and mood as choreographic prompts. Analytical listening precedes all sound-based compositional decisions.
Chapter 5HideHide detailsSee detailsIntention, Meaning, and Artistic Voice
Intention, Meaning, and Artistic Voice
Lesson 1 • Symbolism and Metaphor in Movement
Teaches students to embed symbolic and metaphorical layers into choreography. Layered meaning enriches audience experience and deepens artistic impact.
Lesson 2 • Developing a Personal Artistic Voice
Helps students identify recurring aesthetic preferences and movement signatures. A distinctive voice differentiates a choreographer's work in any context.
Lesson 3 • Audience Perception and Reception
Examines how audiences read movement and construct meaning from performance. Understanding reception helps choreographers calibrate clarity and ambiguity.
Lesson 4 • Identifying Choreographic Intent
Guides students in clarifying what they want a work to communicate or evoke. Clear intent is the compass that guides all subsequent compositional decisions.
Chapter 6HideHide detailsSee detailsGroup Choreography and Spatial Relationships
Group Choreography and Spatial Relationships
Lesson 1 • Formations and Group Pathways
Develops skill in designing formations that shift dynamically throughout a piece. Spatial variety in group work sustains visual interest and communicates meaning.
Lesson 2 • Unison, Canon, and Contrast
Introduces the primary tools for organising multiple bodies in time and space. Students practise each device and analyse its visual and emotional effect.
Lesson 3 • Directing Rehearsals for Group Work
Builds practical skills for leading efficient and productive group rehearsals. Effective direction translates choreographic vision into polished ensemble performance.
Lesson 4 • Casting and Role Assignment
Addresses how to assign movement material to dancers based on skill and intent. Strategic casting amplifies choreographic ideas and respects performer strengths.
Lesson 5 • Spatial Storytelling with Groups
Uses group spatial relationships to convey narrative, power, and emotion. Students design group studies where spatial choices carry primary expressive weight.
Chapter 7HideHide detailsSee detailsThe Choreographic Process from Concept to Stage
The Choreographic Process from Concept to Stage
Lesson 1 • Structuring the Creative Process
Provides a practical timeline and workflow for moving from idea to finished work. Students learn to balance exploration with disciplined decision-making.
Lesson 2 • Dress Rehearsal and Performance Readiness
Prepares students and their casts for the final performance through structured run-throughs. Readiness protocols reduce anxiety and ensure consistent execution.
Lesson 3 • Technical and Production Coordination
Introduces the technical elements that shape the final performance experience. Choreographers who understand production can collaborate more effectively with crews.
Lesson 4 • Staging and Spacing for the Venue
Adapts choreographic material to the specific demands of the performance space. Spatial adaptation ensures that design intentions translate to the actual stage.
Lesson 5 • Concept Development and Research
Establishes rigorous research and ideation practices that ground choreographic work. Strong conceptual foundations prevent creative drift during the making process.
Chapter 8HideHide detailsSee detailsAdvanced Choreographic Strategies
Advanced Choreographic Strategies
Lesson 1 • Collaborative and Devised Choreography
Develops skills for co-creating work with performers as creative collaborators. Devised processes yield richer material and stronger performer investment.
Lesson 2 • Site-Specific and Environmental Choreography
Teaches students to create work that responds to and is shaped by non-theatre spaces. Site-specific work challenges conventional assumptions about performance and audience.
Lesson 3 • Building a Choreographic Portfolio
Guides students in curating and presenting their body of work professionally. A strong portfolio is essential for grants, residencies, and professional opportunities.
Lesson 4 • Revision, Editing, and Artistic Judgment
Builds the critical eye needed to refine and strengthen choreographic work over time. Skilled editing is what separates competent choreography from compelling art.
Lesson 5 • Interdisciplinary and Multimedia Integration
Explores how choreography intersects with visual art, film, technology, and text. Interdisciplinary work expands expressive possibilities and reaches new audiences.
Your valid completion certificate
This course is for you:
Trained dancer ready to step behind the creative process.
Dance teacher wanting to guide students through original movement creation.
Theatre director seeking structured methods for staging physical storytelling.
Fitness professional curious about translating movement expertise into performance art.
Emerging artist building a body of work for grants and residencies.
Hobbyist mover with creative ideas and no framework to shape them.
What our students say
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