
Professional Sound Engineering Course
Take your audio career from foundational theory to professional execution with a curriculum that covers acoustics, signal flow, mixing, and mastering. You'll work through every stage of the recording chain, from microphone placement to final delivery. This course gives you the technical knowledge and practical skills the industry demands.
What you'll learn:
You will build a complete understanding of sound physics, acoustic treatment, and psychoacoustics before moving into hands-on recording and mixing techniques. You will learn to operate mixing consoles, preamplifiers, and outboard gear with confidence. The curriculum covers equalisation, dynamics processing, reverb, delay, and automation across both studio and live sound contexts. You will also study DAW workflows, MIDI production, and audio post-production for video. Advanced modules address Dolby Atmos, binaural production, and AI-assisted tools. By the end, you will be equipped to engineer, mix, and master professional audio for music, broadcast, and immersive formats.
How you study in practice Professional Sound Engineering Course
How you practise Professional Sound Engineering Course
For businesses looking to train their team
With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.
Course content
8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Sound and Acoustics
Foundations of Sound and Acoustics
Lesson 1 • Room Acoustics and Sound Behaviour
Examines how sound interacts with enclosed spaces through reflection and absorption. Connects acoustic theory to real-world room treatment decisions.
Lesson 2 • Human Hearing and Psychoacoustics
Covers the anatomy of hearing and perceptual phenomena that influence mixing decisions. Grounds technical choices in listener experience.
Lesson 3 • Physics of Sound Waves
Covers frequency, amplitude, wavelength, and wave behaviour. Establishes the physical vocabulary used throughout all subsequent chapters.
Lesson 4 • The Decibel Scale and Loudness
Explains logarithmic measurement of sound intensity and perceived loudness. Provides the numerical framework for gain staging and level management.
Lesson 5 • Analogue vs. Digital Audio Fundamentals
Contrasts continuous analogue signals with discrete digital representations. Prepares students for signal flow concepts introduced in the next chapter.
Chapter 2HideHide detailsSee detailsSignal Flow and Studio Equipment
Signal Flow and Studio Equipment
Lesson 1 • Understanding Signal Flow Concepts
Defines signal flow and traces audio through a typical studio chain. Provides the mental model needed to troubleshoot routing problems efficiently.
Lesson 2 • Outboard Gear and Hardware Processors
Introduces compressors, equalisers, and effects units as standalone hardware. Prepares students to integrate outboard gear into both analogue and hybrid workflows.
Lesson 3 • Mixing Consoles and Patch Bays
Covers analogue console architecture, channel strip functions, and patch bay routing. Builds practical skills for navigating complex studio infrastructure.
Lesson 4 • Preamplifiers and Line-Level Devices
Explains how preamplifiers boost mic-level signals and how line-level devices interface. Connects gain staging theory to hands-on equipment operation.
Lesson 5 • Microphones: Types and Characteristics
Surveys dynamic, condenser, and ribbon microphone designs and their polar patterns. Enables informed microphone selection for any recording scenario.
Chapter 3HideHide detailsSee detailsMicrophone Techniques and Placement
Microphone Techniques and Placement
Lesson 1 • Recording Drums and Percussion
Applies multi-microphone strategies to capture a full drum kit with clarity and punch. Addresses phase relationships between multiple mics on a single source.
Lesson 2 • Stereo Microphone Techniques
Covers XY, ORTF, mid-side, and spaced pair configurations for stereo recording. Connects stereo imaging theory to practical setup and monitoring.
Lesson 3 • Recording Vocals and Voice
Focuses on microphone selection, pop filtering, and room treatment for vocal recording. Produces clean, intimate vocal tracks ready for mixing.
Lesson 4 • Core Microphone Placement Principles
Establishes distance, angle, and axis as the primary variables in mic placement. Provides a systematic approach to evaluating and adjusting microphone position.
Lesson 5 • Recording Guitars, Bass, and Keys
Covers cabinet miking, DI recording, and acoustic instrument techniques. Builds versatility for tracking the most common studio instruments.
Chapter 4HideHide detailsSee detailsDigital Audio Workstations and Recording
Digital Audio Workstations and Recording
Lesson 1 • DAW Architecture and Session Setup
Explains DAW components including tracks, buses, and the timeline. Establishes session templates and file management habits that prevent costly errors.
Lesson 2 • Recording and Monitoring in the DAW
Covers input monitoring, record-enable workflows, and latency management. Ensures performers and engineers maintain accurate monitoring during tracking.
Lesson 3 • Organising and Archiving Projects
Covers file consolidation, backup strategies, and session interchange formats. Protects project integrity and enables collaboration across studios and platforms.
Lesson 4 • Audio Editing Fundamentals
Teaches clip-based editing, crossfades, and timing correction techniques. Produces polished, performance-ready tracks before the mixing stage.
Lesson 5 • MIDI Recording and Programming
Introduces MIDI protocol, recording MIDI performances, and editing note data. Expands production capability beyond audio-only recording workflows.
Chapter 5HideHide detailsSee detailsEqualisation: Theory and Practice
Equalisation: Theory and Practice
Lesson 1 • Creative and Tonal EQ Techniques
Uses EQ to enhance character, presence, and air in individual tracks. Develops aesthetic judgment for shaping instruments within a mix context.
Lesson 2 • EQ Types and Filter Shapes
Surveys parametric, graphic, shelving, and high-pass filter designs. Connects filter mathematics to audible results students can identify by ear.
Lesson 3 • EQ in a Mix Context
Addresses frequency masking and carving space for each element in a full mix. Teaches EQ decisions that serve the mix rather than isolated tracks.
Lesson 4 • Corrective EQ Techniques
Applies EQ to remove resonances, mud, and harshness from recorded sources. Builds the diagnostic listening skills needed before any creative processing.
Chapter 6HideHide detailsSee detailsDynamics Processing: Compression and Beyond
Dynamics Processing: Compression and Beyond
Lesson 1 • Gates, Expanders, and Transient Shapers
Covers noise gates, downward expanders, and transient designers as complementary tools. Expands the dynamics toolkit beyond compression for precise control.
Lesson 2 • Compression Fundamentals
Explains threshold, ratio, attack, release, and knee parameters in detail. Builds the conceptual foundation for all dynamics processing decisions.
Lesson 3 • Compression Applied to Instruments
Applies compression settings to drums, bass, guitars, and vocals with specific goals. Translates parameter knowledge into practical, source-specific workflows.
Lesson 4 • Limiting and Loudness Management
Explains brick-wall limiting and integrated loudness standards for delivery. Connects dynamics processing to mastering and platform loudness requirements.
Lesson 5 • Compressor Types and Characteristics
Compares VCA, FET, optical, and variable-mu compressor designs by sound and behaviour. Enables informed hardware and plugin selection for specific sources.
Chapter 7HideHide detailsSee detailsMixing: Balance, Space, and Depth
Mixing: Balance, Space, and Depth
Lesson 1 • Automation and Mix Dynamics
Applies volume, pan, and plugin parameter automation to create a living, dynamic mix. Elevates static mixes into performances that guide listener attention.
Lesson 2 • Reverb and Ambience Design
Covers room, hall, plate, and convolution reverb types and their mix applications. Creates cohesive spatial environments that place instruments in a shared acoustic space.
Lesson 3 • Delay and Time-Based Effects
Applies slapback, rhythmic, and ping-pong delays to add depth and movement. Teaches tempo-synced delay as a compositional and spatial tool.
Lesson 4 • Mix Review and Revision Workflow
Establishes critical listening habits, reference track use, and revision cycles. Produces mixes that hold up across multiple playback environments and listening sessions.
Lesson 5 • Building a Mix Foundation
Establishes level balance, panning, and gain staging as the starting point for every mix. Prevents common errors that undermine later processing decisions.
Lesson 6 • Stereo Width and Imaging
Uses panning, mid-side processing, and stereo wideners to control the stereo image. Ensures mixes translate accurately across playback systems.
Chapter 8HideHide detailsSee detailsMastering: Finalising Audio for Release
Mastering: Finalising Audio for Release
Lesson 1 • Mastering Philosophy and Signal Chain
Defines mastering goals and the typical mastering signal chain order. Establishes the mindset of serving the mix rather than reprocessing it.
Lesson 2 • Stereo Enhancement in Mastering
Applies mid-side processing and stereo widening at the mastering stage with precision. Ensures the stereo image is wide, stable, and mono-compatible.
Lesson 3 • EQ and Tonal Correction in Mastering
Applies broad, surgical EQ to correct tonal imbalances across the full mix. Teaches restraint and precision as the defining qualities of mastering EQ.
Lesson 4 • Sequencing, Metadata, and Delivery
Covers album sequencing, track spacing, and embedding metadata for distribution. Produces a complete, delivery-ready master package for any release format.
Lesson 5 • Dynamics Control in Mastering
Uses multiband compression and limiting to control dynamics across the full programme. Balances loudness with dynamic integrity for competitive commercial releases.
Your valid completion certificate
This course is for you:
Bedroom producers: ready to move beyond presets into real engineering decisions.
Musicians: wanting full control over how their own recordings sound.
Career changers: drawn to audio work and building toward a studio role.
Content creators: needing broadcast-quality audio for video and podcast production.
Live sound volunteers: seeking the theory behind what they already do by ear.
Film students: looking to handle dialogue, sound design, and mix delivery professionally.
What our students say
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