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Screenwriter Course
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Screenwriter Course

Learn to write screenplays that work — from your first logline to a polished, submission-ready draft. This course covers every stage of the screenwriting process, including structure, character, dialogue, and revision. Whether you're writing a feature film or a TV pilot, you'll finish with a complete script and the professional skills to back it up.

Dedika for students

What your team will master:

You'll start by mastering industry-standard script format and cinematic storytelling principles, then move into story structure, character development, and scene construction. You'll write and revise complete scenes, craft dialogue with real subtext, and push through a full first draft using proven techniques. The course also covers television writing, adaptation, pitching, and career strategy. By the end, you'll have a finished script, a pitch, and a clear plan for breaking into the industry.

How your team learns in practice Screenwriter Course

How your team practises Screenwriter Course

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CDHCN

Course content

8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Screenwriting

  • Lesson 1 • What Screenwriters Actually Do

    Defines the screenwriter's job within the film and TV production pipeline. Establishes professional expectations that frame every subsequent chapter.

  • Lesson 2 • Reading Scripts Professionally

    Develops the habit of analysing produced screenplays as craft documents. Students gain a critical vocabulary used throughout the course.

  • Lesson 3 • Industry-Standard Script Format

    Covers slug lines, action lines, dialogue blocks, and transitions using professional formatting rules. Correct format signals professionalism to every reader.

  • Lesson 4 • The Visual Language of Film

    Trains writers to think in images and sound rather than prose description. Connects cinematic thinking to every craft decision made on the page.

Chapter 2See details

Story Fundamentals and Premise

  • Lesson 1 • Generating and Testing Ideas

    Provides ideation techniques and filters for evaluating whether a concept is cinematic and commercially viable. Prevents wasted effort on weak premises.

  • Lesson 2 • Crafting a Compelling Logline

    Teaches the one-to-two sentence pitch formula that encapsulates protagonist, conflict, and stakes. A strong logline becomes the compass for the entire script.

  • Lesson 3 • Premise and Theme Development

    Distinguishes premise from theme and shows how thematic argument shapes every story decision. Students articulate the central question their script will answer.

  • Lesson 4 • What Makes a Story Dramatic

    Examines conflict, stakes, and want vs. need as the engine of drama. Grounds students in why audiences engage with certain stories over others.

  • Lesson 5 • Genre Conventions and Audience Expectations

    Maps the conventions, tones, and obligatory scenes of major genres. Writers learn to meet and subvert expectations strategically.

Chapter 3See details

Three-Act Structure and Story Architecture

  • Lesson 1 • Subplots and Parallel Storylines

    Shows how subplots mirror, contrast, or complicate the main plot to deepen theme. Students integrate at least one subplot into their outline.

  • Lesson 2 • The Three-Act Model Explained

    Breaks down setup, confrontation, and resolution with precise page-count benchmarks for feature films. Gives writers a reliable scaffold before drafting.

  • Lesson 3 • Key Structural Turning Points

    Identifies plot points, pinch points, and the all-is-lost moment as mandatory story beats. Each turning point is defined by its function and emotional impact.

  • Lesson 4 • Building the Story Outline

    Translates structural knowledge into a scene-by-scene outline using cards or software. A solid outline reduces rewriting and keeps the draft on track.

  • Lesson 5 • Alternative Structural Frameworks

    Introduces the Hero's Journey, Save the Cat beat sheet, and sequence approach as complementary lenses. Writers choose the model that best fits their story.

Chapter 4See details

Character Creation and Development

  • Lesson 1 • Protagonist Design Principles

    Defines what makes a protagonist compelling: agency, flaw, and a transformative arc. Every structural decision in the script flows from protagonist design.

  • Lesson 2 • Supporting Cast and Ensemble Writing

    Designs secondary characters who serve distinct dramatic functions without overshadowing the lead. Each supporting role must justify its presence in the story.

  • Lesson 3 • Antagonists and Opposition Forces

    Builds antagonists who are the logical equal and opposite of the protagonist. Strong opposition raises stakes and forces meaningful character change.

  • Lesson 4 • Character Arc and Transformation

    Maps the internal journey from flaw to growth or tragic decline across the three acts. Arc must be earned through scene-level cause and effect.

  • Lesson 5 • Character Voice and Differentiation

    Gives each character a distinct speech pattern, vocabulary, and rhythm recognisable without dialogue tags. Voice differentiation is tested through blind-read exercises.

Chapter 5See details

Scene Writing and Construction

  • Lesson 1 • Scene Sequences and Act Building

    Groups individual scenes into sequences that function as mini-acts with their own arc. Students assemble their scenes into a coherent act-level structure.

  • Lesson 2 • Anatomy of an Effective Scene

    Defines scene goal, conflict, and outcome as the three mandatory components of any scene. Writers learn to enter late and exit early to maintain pace.

  • Lesson 3 • Writing Action Lines with Precision

    Trains writers to craft lean, visual action lines that direct the reader's eye without directing the director. Economy and specificity are the twin standards.

  • Lesson 4 • Scene Transitions and Momentum

    Covers hard cuts, match cuts, and thematic transitions that maintain narrative momentum. Smooth transitions are invisible; clumsy ones break immersion.

  • Lesson 5 • Subtext and Layered Scenes

    Teaches writers to embed meaning beneath surface dialogue and action. Layered scenes reward attentive audiences and elevate the script's literary quality.

Chapter 6See details

Dialogue Craft and Subtext

  • Lesson 1 • Principles of Cinematic Dialogue

    Distinguishes screen dialogue from real speech and stage dialogue by its compression and purpose. Every line must earn its place by doing at least two jobs.

  • Lesson 2 • Common Dialogue Pitfalls

    Identifies and corrects the most frequent dialogue errors: on-the-nose writing, over-explanation, and character voice blending. Revision exercises reinforce each fix.

  • Lesson 3 • Exposition Without Awkwardness

    Provides techniques for delivering necessary information naturally through conflict and character need. Eliminates 'as you know, Bob' exposition traps.

  • Lesson 4 • Dialogue Rhythm and Voice

    Develops ear for sentence length variation, interruption, and overlapping speech that creates naturalistic rhythm. Voice consistency is tested across multiple scenes.

  • Lesson 5 • Subtext and Indirect Communication

    Shows how characters who never say what they mean create tension and authenticity. Subtext is the gap between what is said and what is meant.

Chapter 7See details

Writing the First Draft

  • Lesson 1 • Using Your Outline as a Guide

    Shows how to follow the outline flexibly, allowing organic discoveries without losing structural integrity. The outline is a map, not a cage.

  • Lesson 2 • Writing Through Difficult Sections

    Provides strategies for pushing through the dreaded Act Two sag and other structural trouble spots. Writers learn to diagnose and bypass blocks without stopping.

  • Lesson 3 • Completing and Assessing the Draft

    Guides writers through finishing the draft and conducting a first self-assessment before revision. A cooling-off period and structured read-through prepare the script for notes.

  • Lesson 4 • Drafting Mindset and Process

    Establishes the psychological contract of first-draft writing: completion over perfection. Writers learn to silence the inner critic and maintain forward momentum.

  • Lesson 5 • Maintaining Pace and Momentum

    Teaches pacing techniques at the scene, sequence, and act level to keep the draft moving. Slow sections are flagged for revision rather than fixed mid-draft.

Chapter 8See details

Revision, Notes, and Professional Polish

  • Lesson 1 • Final Polish and Submission Prep

    Covers line-level polish, proofreading, and formatting checks that make a script look professional on the page. First impressions in the industry are made before page ten.

  • Lesson 2 • Receiving and Applying Notes

    Teaches writers to extract actionable insight from coverage, peer notes, and executive feedback. The goal is diagnosing the problem behind the note, not obeying it literally.

  • Lesson 3 • The Revision Mindset and Process

    Reframes revision as the real craft of screenwriting rather than a corrective afterthought. Writers learn to approach the draft as a reader, not its author.

  • Lesson 4 • Character and Dialogue Revision

    Refines character arcs, voice consistency, and dialogue economy in a dedicated revision pass. Each character's journey is traced independently across the script.

  • Lesson 5 • Structural and Story-Level Revision

    Addresses act-level problems: missing beats, weak turning points, and unearned resolutions before fixing line-level issues. Structure must be sound before polishing prose.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring screenwriters: ready to turn story ideas into formatted, professional scripts.

  • Fiction writers: eager to translate their narrative instincts into cinematic storytelling.

  • Film students: seeking structured craft training beyond what their programme provides.

  • Career changers: drawn to the entertainment industry and committed to breaking in.

  • Theatre playwrights: wanting to adapt their dramatic skills to the screen format.

  • Creative professionals: looking to add screenwriting to their existing storytelling toolkit.

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