
Screenwriter Course
Learn to write screenplays that work — from your first logline to a polished, submission-ready draft. This course covers every stage of the screenwriting process, including structure, character, dialogue, and revision. Whether you're writing a feature film or a TV pilot, you'll finish with a complete script and the professional skills to back it up.
What your team will master:
You'll start by mastering industry-standard script format and cinematic storytelling principles, then move into story structure, character development, and scene construction. You'll write and revise complete scenes, craft dialogue with real subtext, and push through a full first draft using proven techniques. The course also covers television writing, adaptation, pitching, and career strategy. By the end, you'll have a finished script, a pitch, and a clear plan for breaking into the industry.
How your team learns in practice Screenwriter Course
How your team practises Screenwriter Course
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Course content
8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Screenwriting
Foundations of Screenwriting
Lesson 1 • What Screenwriters Actually Do
Defines the screenwriter's job within the film and TV production pipeline. Establishes professional expectations that frame every subsequent chapter.
Lesson 2 • Reading Scripts Professionally
Develops the habit of analysing produced screenplays as craft documents. Students gain a critical vocabulary used throughout the course.
Lesson 3 • Industry-Standard Script Format
Covers slug lines, action lines, dialogue blocks, and transitions using professional formatting rules. Correct format signals professionalism to every reader.
Lesson 4 • The Visual Language of Film
Trains writers to think in images and sound rather than prose description. Connects cinematic thinking to every craft decision made on the page.
Chapter 2HideHide detailsSee detailsStory Fundamentals and Premise
Story Fundamentals and Premise
Lesson 1 • Generating and Testing Ideas
Provides ideation techniques and filters for evaluating whether a concept is cinematic and commercially viable. Prevents wasted effort on weak premises.
Lesson 2 • Crafting a Compelling Logline
Teaches the one-to-two sentence pitch formula that encapsulates protagonist, conflict, and stakes. A strong logline becomes the compass for the entire script.
Lesson 3 • Premise and Theme Development
Distinguishes premise from theme and shows how thematic argument shapes every story decision. Students articulate the central question their script will answer.
Lesson 4 • What Makes a Story Dramatic
Examines conflict, stakes, and want vs. need as the engine of drama. Grounds students in why audiences engage with certain stories over others.
Lesson 5 • Genre Conventions and Audience Expectations
Maps the conventions, tones, and obligatory scenes of major genres. Writers learn to meet and subvert expectations strategically.
Chapter 3HideHide detailsSee detailsThree-Act Structure and Story Architecture
Three-Act Structure and Story Architecture
Lesson 1 • Subplots and Parallel Storylines
Shows how subplots mirror, contrast, or complicate the main plot to deepen theme. Students integrate at least one subplot into their outline.
Lesson 2 • The Three-Act Model Explained
Breaks down setup, confrontation, and resolution with precise page-count benchmarks for feature films. Gives writers a reliable scaffold before drafting.
Lesson 3 • Key Structural Turning Points
Identifies plot points, pinch points, and the all-is-lost moment as mandatory story beats. Each turning point is defined by its function and emotional impact.
Lesson 4 • Building the Story Outline
Translates structural knowledge into a scene-by-scene outline using cards or software. A solid outline reduces rewriting and keeps the draft on track.
Lesson 5 • Alternative Structural Frameworks
Introduces the Hero's Journey, Save the Cat beat sheet, and sequence approach as complementary lenses. Writers choose the model that best fits their story.
Chapter 4HideHide detailsSee detailsCharacter Creation and Development
Character Creation and Development
Lesson 1 • Protagonist Design Principles
Defines what makes a protagonist compelling: agency, flaw, and a transformative arc. Every structural decision in the script flows from protagonist design.
Lesson 2 • Supporting Cast and Ensemble Writing
Designs secondary characters who serve distinct dramatic functions without overshadowing the lead. Each supporting role must justify its presence in the story.
Lesson 3 • Antagonists and Opposition Forces
Builds antagonists who are the logical equal and opposite of the protagonist. Strong opposition raises stakes and forces meaningful character change.
Lesson 4 • Character Arc and Transformation
Maps the internal journey from flaw to growth or tragic decline across the three acts. Arc must be earned through scene-level cause and effect.
Lesson 5 • Character Voice and Differentiation
Gives each character a distinct speech pattern, vocabulary, and rhythm recognisable without dialogue tags. Voice differentiation is tested through blind-read exercises.
Chapter 5HideHide detailsSee detailsScene Writing and Construction
Scene Writing and Construction
Lesson 1 • Scene Sequences and Act Building
Groups individual scenes into sequences that function as mini-acts with their own arc. Students assemble their scenes into a coherent act-level structure.
Lesson 2 • Anatomy of an Effective Scene
Defines scene goal, conflict, and outcome as the three mandatory components of any scene. Writers learn to enter late and exit early to maintain pace.
Lesson 3 • Writing Action Lines with Precision
Trains writers to craft lean, visual action lines that direct the reader's eye without directing the director. Economy and specificity are the twin standards.
Lesson 4 • Scene Transitions and Momentum
Covers hard cuts, match cuts, and thematic transitions that maintain narrative momentum. Smooth transitions are invisible; clumsy ones break immersion.
Lesson 5 • Subtext and Layered Scenes
Teaches writers to embed meaning beneath surface dialogue and action. Layered scenes reward attentive audiences and elevate the script's literary quality.
Chapter 6HideHide detailsSee detailsDialogue Craft and Subtext
Dialogue Craft and Subtext
Lesson 1 • Principles of Cinematic Dialogue
Distinguishes screen dialogue from real speech and stage dialogue by its compression and purpose. Every line must earn its place by doing at least two jobs.
Lesson 2 • Common Dialogue Pitfalls
Identifies and corrects the most frequent dialogue errors: on-the-nose writing, over-explanation, and character voice blending. Revision exercises reinforce each fix.
Lesson 3 • Exposition Without Awkwardness
Provides techniques for delivering necessary information naturally through conflict and character need. Eliminates 'as you know, Bob' exposition traps.
Lesson 4 • Dialogue Rhythm and Voice
Develops ear for sentence length variation, interruption, and overlapping speech that creates naturalistic rhythm. Voice consistency is tested across multiple scenes.
Lesson 5 • Subtext and Indirect Communication
Shows how characters who never say what they mean create tension and authenticity. Subtext is the gap between what is said and what is meant.
Chapter 7HideHide detailsSee detailsWriting the First Draft
Writing the First Draft
Lesson 1 • Using Your Outline as a Guide
Shows how to follow the outline flexibly, allowing organic discoveries without losing structural integrity. The outline is a map, not a cage.
Lesson 2 • Writing Through Difficult Sections
Provides strategies for pushing through the dreaded Act Two sag and other structural trouble spots. Writers learn to diagnose and bypass blocks without stopping.
Lesson 3 • Completing and Assessing the Draft
Guides writers through finishing the draft and conducting a first self-assessment before revision. A cooling-off period and structured read-through prepare the script for notes.
Lesson 4 • Drafting Mindset and Process
Establishes the psychological contract of first-draft writing: completion over perfection. Writers learn to silence the inner critic and maintain forward momentum.
Lesson 5 • Maintaining Pace and Momentum
Teaches pacing techniques at the scene, sequence, and act level to keep the draft moving. Slow sections are flagged for revision rather than fixed mid-draft.
Chapter 8HideHide detailsSee detailsRevision, Notes, and Professional Polish
Revision, Notes, and Professional Polish
Lesson 1 • Final Polish and Submission Prep
Covers line-level polish, proofreading, and formatting checks that make a script look professional on the page. First impressions in the industry are made before page ten.
Lesson 2 • Receiving and Applying Notes
Teaches writers to extract actionable insight from coverage, peer notes, and executive feedback. The goal is diagnosing the problem behind the note, not obeying it literally.
Lesson 3 • The Revision Mindset and Process
Reframes revision as the real craft of screenwriting rather than a corrective afterthought. Writers learn to approach the draft as a reader, not its author.
Lesson 4 • Character and Dialogue Revision
Refines character arcs, voice consistency, and dialogue economy in a dedicated revision pass. Each character's journey is traced independently across the script.
Lesson 5 • Structural and Story-Level Revision
Addresses act-level problems: missing beats, weak turning points, and unearned resolutions before fixing line-level issues. Structure must be sound before polishing prose.
Your valid completion certificate
This course is for you:
Aspiring screenwriters: ready to turn story ideas into formatted, professional scripts.
Fiction writers: eager to translate their narrative instincts into cinematic storytelling.
Film students: seeking structured craft training beyond what their programme provides.
Career changers: drawn to the entertainment industry and committed to breaking in.
Theatre playwrights: wanting to adapt their dramatic skills to the screen format.
Creative professionals: looking to add screenwriting to their existing storytelling toolkit.
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