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Printmaking for Illustrators: Screen Print and Risograph
More than 2 million students worldwide

Printmaking for Illustrators: Screen Print and Risograph

Master screen printing and Risograph from file setup to finished, numbered editions. This course gives illustrators the technical skills and professional workflows to produce limited-edition prints with confidence, precision, and a distinctive visual voice. Whether you're printing zines or gallery editions, you'll leave with real, sellable work.

Dedika for Business

What you will learn:

You'll learn how screen printing and Risograph work mechanically, and how to design artwork specifically for each process using color separations, halftones, and limited-color palettes. The course covers emulsion coating, screen exposure, ink mixing, Risograph drum operation, and multi-color registration for both processes. You'll also set up print-ready files, run test prints, and troubleshoot common production problems. Advanced topics include hybrid screen print and Risograph editions, specialty inks, and experimental substrates. By the end, you'll know how to plan, produce, price, and document a complete print edition ready for sale or exhibition.

How you study in practice Printmaking for Illustrators: Screen Print and Risograph

How you practise Printmaking for Illustrators: Screen Print and Risograph

For companies looking to train their team

With Dedika for Business, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course Content

8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Printmaking for Illustrators

  • Lesson 1 • Essential Tools and Consumables

    Introduces screens, squeegees, Risograph drums, paper types, and inks as physical objects with specific properties. Students learn to identify and source materials confidently.

  • Lesson 2 • History and Context of Print Media

    Traces screen print and Risograph from industrial origins to contemporary illustration practice. Grounds students in why these processes remain relevant for image-makers today.

  • Lesson 3 • Understanding Print Processes Side by Side

    Compares the mechanical logic of screen print and Risograph to clarify their differences and overlaps. Builds a decision-making framework for choosing the right process.

  • Lesson 4 • Color Theory for Limited-Color Printing

    Applies subtractive and spot-color thinking to the constraints of screen print and Risograph palettes. Students gain fluency in designing with two to four colors effectively.

  • Lesson 5 • Studio Safety and Material Handling

    Covers chemical hazards, ventilation requirements, and safe disposal of inks and solvents. Ensures students can work responsibly before touching any equipment.

Chapter 2See details

Designing Artwork for Print Reproduction

  • Lesson 1 • Halftones, Textures, and Tonal Range

    Teaches how continuous-tone illustration translates into printable dot patterns and textures. Students learn to control tonal gradients within the limits of each process.

  • Lesson 2 • Thinking in Layers and Separations

    Reframes illustration composition as a stack of single-color layers that will print independently. Connects design decisions directly to physical ink passes on press.

  • Lesson 3 • Typography and Fine Detail Considerations

    Addresses minimum line weights, type sizes, and knockout vs. overprint text for legibility. Connects typographic decisions to the physical limits of mesh and drum resolution.

  • Lesson 4 • File Setup and Resolution Standards

    Establishes correct document dimensions, resolution, and color mode for both processes. Prevents common file errors that cause failed exposures or poor print quality.

  • Lesson 5 • Proofing and Preflight Workflows

    Introduces soft-proofing, color simulation, and file checklist routines before committing to physical output. Reduces costly errors and wasted materials in production.

Chapter 3See details

Screen Printing: Equipment and Studio Setup

  • Lesson 1 • Film Output and Screen Exposure

    Explains how to output positive films and expose screens to UV light for accurate stencil creation. Correct exposure is the bridge between digital artwork and physical stencil.

  • Lesson 2 • Anatomy of a Screen Printing Press

    Identifies every component of a flatbed and carousel press and explains each part's function. Provides the mechanical literacy needed for consistent, repeatable printing.

  • Lesson 3 • Registration Systems and Setup

    Teaches pin registration, laser guides, and manual alignment methods for multi-color accuracy. Precise registration setup prevents color misalignment across all print runs.

  • Lesson 4 • Emulsion Coating and Screen Preparation

    Covers emulsion types, coating technique, and drying conditions that determine stencil quality. A well-coated screen is the single most important factor in print sharpness.

  • Lesson 5 • Ink Selection and Mixing for Screen Print

    Surveys plastisol, water-based, and discharge inks and their suitability for different substrates. Students mix custom colors using spot-color matching systems.

Chapter 4See details

Screen Printing: Pulling Prints and Finishing

  • Lesson 1 • Curing, Drying, and Quality Control

    Explains heat curing for plastisol, air drying for water-based inks, and quality inspection criteria. Proper curing determines the durability and archival quality of finished prints.

  • Lesson 2 • Specialty Inks and Surface Effects

    Introduces metallic, fluorescent, puff, and transparent inks to expand the visual vocabulary of screen-printed illustration. Each ink type requires specific handling adjustments.

  • Lesson 3 • Squeegee Technique and Ink Deposit

    Develops correct squeegee angle, pressure, and stroke speed for even ink transfer. Consistent technique is the foundation of a clean, repeatable print edition.

  • Lesson 4 • Printing Multi-Color Editions

    Guides students through sequencing color passes, managing wet-on-wet printing, and maintaining consistency across an edition. Builds production discipline for illustration print runs.

  • Lesson 5 • Screen Reclaiming and Studio Cleanup

    Covers ink removal, emulsion stripping, and screen degreasing to restore screens for reuse. Efficient cleanup extends equipment life and keeps the studio safe and organized.

Chapter 5See details

Risograph Printing: Machine Operation and Setup

  • Lesson 1 • Drum Installation and Ink Management

    Teaches correct drum insertion, ink level monitoring, and drum storage to maintain print quality. Proper drum care directly affects ink density and color consistency.

  • Lesson 2 • Risograph Machine Anatomy and Controls

    Maps every control panel function, paper feed mechanism, and drum slot to its operational role. Mechanical literacy prevents user errors and enables confident troubleshooting.

  • Lesson 3 • Paper Selection and Feed Calibration

    Covers paper weight ranges, surface textures, and feed calibration settings that affect ink absorption and registration. Paper choice is one of the most impactful creative decisions in Risograph.

  • Lesson 4 • Master Making and Image Burning

    Explains how the thermal head burns a master from a digital or scanned source file. Master quality determines the sharpness and tonal fidelity of every print in the run.

  • Lesson 5 • Print Speed, Density, and Test Runs

    Introduces speed settings, ink density controls, and the test-print routine for dialing in consistent output. Systematic testing before a full run prevents wasted paper and ink.

Chapter 6See details

Risograph Printing: Multi-Color Runs and Registration

  • Lesson 1 • Overprint Color Mixing on Risograph

    Explores how Risograph inks interact when layered, producing unexpected tertiary colors and transparency effects. Students predict and design for overprint results before printing.

  • Lesson 2 • Managing Ink Ghosting and Smearing

    Identifies causes of ink ghosting, smearing, and set-off and provides practical remedies for each. Controlling these artifacts is essential for producing clean, edition-quality prints.

  • Lesson 3 • Completing and Numbering an Edition

    Covers edition sorting, quality grading, signing, numbering, and packaging for distribution or sale. Professional edition practices build credibility and protect the value of the work.

  • Lesson 4 • Planning a Multi-Color Risograph Edition

    Structures the workflow for printing multiple color passes through a single-drum machine. Sequencing decisions made here determine the entire production flow of the edition.

  • Lesson 5 • Registration Techniques for Risograph

    Teaches corner marks, paper joggers, and feed-edge consistency methods to achieve tight registration. Students also learn to use deliberate misregistration as a design feature.

Chapter 7See details

Combining Screen Print and Risograph

  • Lesson 1 • File Preparation for Hybrid Editions

    Adapts file setup and separation workflows to serve both processes within one cohesive artwork. Correct file architecture prevents misalignment and color conflicts between passes.

  • Lesson 2 • Conceptual Framework for Hybrid Printing

    Establishes criteria for deciding which elements of an illustration suit screen print vs. Risograph. Strategic process assignment maximizes visual impact and production efficiency.

  • Lesson 3 • Production Sequencing and Logistics

    Plans the physical order of screen print and Risograph passes to avoid ink damage and registration loss. Logistics decisions here determine whether the hybrid edition succeeds or fails.

  • Lesson 4 • Achieving Visual Cohesion Across Processes

    Addresses color harmony, texture contrast, and compositional unity when two distinct processes share a single image. Students develop an eye for hybrid aesthetics through critique.

Chapter 8See details

Edition Production and Professional Practice

  • Lesson 1 • Project Planning and Edition Sizing

    Guides students through scoping an edition: image selection, run size, substrate choice, and timeline. Realistic planning prevents overcommitment and ensures a completed, sellable edition.

  • Lesson 2 • Production Efficiency and Batch Printing

    Introduces batch workflows, press setup optimization, and time-saving routines for producing editions at scale. Efficiency skills translate directly to profitability in professional practice.

  • Lesson 3 • Presenting and Selling Print Editions

    Prepares students to present work at fairs, in online shops, and through galleries with professional framing and copy. Selling skills complete the cycle from studio to collector.

  • Lesson 4 • Pricing, Costing, and Edition Value

    Teaches material cost calculation, labor valuation, and pricing strategies for limited-edition prints. Students build a pricing model they can apply immediately to their own work.

  • Lesson 5 • Documentation, Certificates, and Archiving

    Covers edition certificates of authenticity, photographic documentation, and archival storage standards. Proper documentation protects the artist's reputation and the collector's investment.

Certification

Your valid completion certificate

This course is for you:

  • Illustrator: wants to produce physical editions from existing digital artwork.

  • Graphic designer: ready to move beyond screen into hands-on print production.

  • Zine maker: seeking technical depth to elevate self-published work quality.

  • Art school graduate: building a professional print practice after formal education.

  • Hobbyist printmaker: transitioning from casual experiments to edition-quality output.

  • Surface pattern designer: exploring limited-color print media as a new creative outlet.

What our students say

Your classes are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to switch platforms... I thank you for everything you do, I've already recommended you to other people...
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Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
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Mariana FerresPhotography Student
I like the content and the presentation style and video transcription, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
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André FelipePrompt Engineering Student

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