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Children's Theatre Course
More than 2 million students worldwide

Children's Theatre Course

Everything you need to create powerful, meaningful theatre for young audiences is right here. This comprehensive course takes you from foundational theory to a fully produced capstone show, covering directing, design, educational programming, and production management. Whether you're launching a career or leveling up your practice, this is your complete professional toolkit.

Dedika for Business

What you will learn:

You will develop a deep understanding of child development and how it shapes every creative decision in children's theatre. You will learn to select, adapt, and write scripts that engage young audiences with integrity and artistic purpose. The course trains you to direct young performers, coach acting, and manage the full rehearsal process from first read-through to opening night. You will also gain hands-on skills in scenic, costume, lighting, and sound design as they apply to youth productions. Beyond the stage, you will learn to design school residency programs, write grant narratives, and build community partnerships. By the end, you will have a professional portfolio and a clear career action plan.

How you study in practice Children's Theatre Course

How you practise Children's Theatre Course

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Course Content

8 Chapters • 35 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Children's Theatre

  • Lesson 1 • Child Development and Audience Awareness

    Applies developmental psychology to audience analysis for different age groups. Informs every creative choice made throughout the course.

  • Lesson 2 • Roles Within a Children's Theatre Company

    Maps the professional roles—artistic, educational, and administrative—within a producing organization. Students identify career pathways and collaborative responsibilities.

  • Lesson 3 • Core Principles and Artistic Values

    Defines the aesthetic and ethical values unique to theatre for young audiences. Students articulate a personal artistic philosophy grounded in these principles.

  • Lesson 4 • History and Evolution of the Form

    Traces children's theatre from early folk traditions to contemporary practice. Establishes historical literacy as a framework for informed artistic decision-making.

Chapter 2See details

Storytelling and Script Selection

  • Lesson 1 • Elements of Effective Children's Stories

    Identifies narrative components—character, conflict, theme—that engage young audiences. Provides analytical tools used in script evaluation throughout the chapter.

  • Lesson 2 • Adapting Source Material for the Stage

    Covers the process of transforming picture books, folktales, and novels into stage scripts. Students learn adaptation ethics and practical dramaturgical techniques.

  • Lesson 3 • Evaluating Existing Scripts

    Teaches a structured rubric for assessing published scripts for production suitability. Students practice critical reading and written script analysis.

  • Lesson 4 • Original Script Development

    Guides students through generating original dramatic material for young audiences. Connects story selection principles to the craft of writing new work.

Chapter 3See details

Directing for Young Audiences

  • Lesson 1 • Rehearsal Planning and Management

    Develops skills for scheduling, running, and documenting rehearsals productively. Students produce a full rehearsal schedule for a short production.

  • Lesson 2 • Auditions and Casting Strategies

    Covers audition design, casting criteria, and inclusive casting practices for youth productions. Students design and run a mock audition process.

  • Lesson 3 • Pacing, Energy, and Theatrical Clarity

    Addresses tempo, rhythm, and the heightened energy required to hold a young audience. Students apply pacing tools during rehearsal simulations.

  • Lesson 4 • Blocking and Stage Composition

    Teaches principles of stage composition, picturization, and movement clarity for young audiences. Students block a scene and receive structured peer feedback.

  • Lesson 5 • The Director's Vision and Concept

    Establishes how a director translates a script into a unified production concept. Students create a concept statement and visual research board for a chosen script.

Chapter 4See details

Acting Techniques for Young Performers

  • Lesson 1 • Foundations of Acting for Children

    Introduces core acting concepts—imagination, concentration, and truthful action—adapted for young learners. Establishes the pedagogical baseline for all coaching work.

  • Lesson 2 • Character Building with Young Actors

    Guides students in facilitating character exploration appropriate to a child's cognitive level. Students design and lead a character-building workshop session.

  • Lesson 3 • Voice and Body as Expressive Instruments

    Trains students to coach vocal projection, articulation, and physical expressiveness in young performers. Connects physical and vocal work to character development.

  • Lesson 4 • Scene Work and Ensemble Building

    Develops skills for coaching scene partners and building ensemble cohesion among young performers. Students facilitate a scene rehearsal and ensemble activity.

Chapter 5See details

Design Elements in Children's Theatre

  • Lesson 1 • Sound Design and Original Music

    Explores how sound effects, underscoring, and original music enhance narrative for young audiences. Students curate a sound design plan for a production.

  • Lesson 2 • Lighting Design for Young Audiences

    Introduces lighting as a storytelling tool that guides focus and creates atmosphere for children. Students design a basic lighting plot for a short scene.

  • Lesson 3 • Scenic Design Principles for Youth Productions

    Covers how set design communicates story world, scale, and imagination to young audiences. Students analyze and sketch a scenic concept for a given script.

  • Lesson 4 • Integrating Design Elements Collaboratively

    Teaches the design meeting process and how directors and designers align their visions. Students participate in a simulated production design meeting.

  • Lesson 5 • Costume Design and Character Communication

    Examines how costume choices clarify character and delight young audiences. Students create a costume plot and mood board for a production.

Chapter 6See details

Production Management and Safety

  • Lesson 1 • Child Safety and Safeguarding Protocols

    Establishes mandatory safeguarding standards for working with minors in theatrical settings. Students develop a safeguarding policy document for a producing organization.

  • Lesson 2 • Production Planning and Scheduling

    Covers the full production timeline from concept to closing night. Students create a production calendar integrating all departments and deadlines.

  • Lesson 3 • Stage Safety and Risk Management

    Identifies physical hazards in theatrical environments and teaches risk mitigation strategies. Students conduct a mock safety audit of a rehearsal and performance space.

  • Lesson 4 • Budgeting for Children's Theatre Productions

    Teaches budget creation, tracking, and cost-control strategies for youth productions. Students build a line-item production budget for a given script.

Chapter 7See details

Educational Programming and Residencies

  • Lesson 1 • Curriculum Design for School Programs

    Teaches backward design for creating theatre residencies aligned with academic standards. Students draft a multi-session curriculum outline for a target grade level.

  • Lesson 2 • Residency Logistics and School Partnerships

    Covers the practical steps of scheduling, contracting, and sustaining school partnerships. Students draft a partnership proposal for a hypothetical school client.

  • Lesson 3 • Theatre as an Educational Tool

    Establishes the research base for arts integration and theatre's impact on learning outcomes. Provides the rationale students use when designing and pitching programs.

  • Lesson 4 • Facilitation Skills for Teaching Artists

    Develops classroom management, instruction delivery, and adaptive facilitation skills. Students practice facilitation in peer workshop simulations with structured feedback.

Chapter 8See details

Producing and Presenting a Full Production

  • Lesson 1 • Reflection, Assessment, and Artistic Growth

    Facilitates structured reflection on the capstone production to consolidate learning. Students produce a written self-assessment and set goals for continued professional development.

  • Lesson 2 • Opening, Running, and Closing a Production

    Addresses the operational responsibilities during the performance run and closing procedures. Students manage a live performance and complete a production close-out process.

  • Lesson 3 • Front-of-House and Audience Experience

    Covers audience management, accessibility, and the full front-of-house experience for young audiences. Students design a front-of-house plan for their capstone production.

  • Lesson 4 • Pre-Production Planning and Team Assembly

    Integrates script selection, design, and team-building into a unified pre-production plan. Students finalize all creative and logistical decisions before rehearsals begin.

  • Lesson 5 • Rehearsal Process Through Tech Week

    Guides students through the full rehearsal arc from table work to technical rehearsals. Students apply directorial and management skills in a supervised production context.

Certification

Your valid completion certificate

This course is for you:

  • Elementary school drama teacher: ready to bring professional production standards into the classroom.

  • Community theatre director: seeking age-specific techniques for directing young performers effectively.

  • Early childhood educator: wanting to integrate structured drama programming into existing curricula.

  • Recent theatre graduate: looking to specialize in youth-focused performance and educational work.

  • Nonprofit arts administrator: aiming to lead or expand a children's theatre programming department.

  • Career changer from education: drawn to theatre as a vehicle for meaningful youth engagement.

What our students say

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