
Screen Printing & Risograph Course for Illustrators
Master screen printing and Risograph from file setup to finished, numbered editions. This course gives illustrators the technical skills and professional workflows to produce limited-edition prints with confidence, precision, and a distinctive visual voice. Whether you're printing zines or gallery editions, you'll leave with real, sellable work.
What you will learn:
You'll learn how screen printing and Risograph work mechanically, and how to design artwork specifically for each process using colour separations, halftones, and limited-colour palettes. The course covers emulsion coating, screen exposure, ink mixing, Risograph drum operation, and multi-colour registration for both processes. You'll also set up print-ready files, run test prints, and troubleshoot common production problems. Advanced topics include hybrid screen print and Risograph editions, specialist inks, and experimental substrates. By the end, you'll know how to plan, produce, price, and document a complete print edition ready for sale or exhibition.
How you study in practice Screen Printing & Risograph Course for Illustrators
How you practise Screen Printing & Risograph Course for Illustrators
For businesses looking to train their team
With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.
Course content
8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Printmaking for Illustrators
Foundations of Printmaking for Illustrators
Lesson 1 • Essential Tools and Consumables
Introduces screens, squeegees, Risograph drums, paper types, and inks as physical objects with specific properties. Students learn to identify and source materials confidently.
Lesson 2 • History and Context of Print Media
Traces screen print and Risograph from industrial origins to contemporary illustration practice. Grounds students in why these processes remain relevant for image-makers today.
Lesson 3 • Understanding Print Processes Side by Side
Compares the mechanical logic of screen print and Risograph to clarify their differences and overlaps. Builds a decision-making framework for choosing the right process.
Lesson 4 • Colour Theory for Limited-Colour Printing
Applies subtractive and spot-colour thinking to the constraints of screen print and Risograph palettes. Students gain fluency in designing with two to four colours effectively.
Lesson 5 • Studio Safety and Material Handling
Covers chemical hazards, ventilation requirements, and safe disposal of inks and solvents. Ensures students can work responsibly before touching any equipment.
Chapter 2HideHide detailsSee detailsDesigning Artwork for Print Reproduction
Designing Artwork for Print Reproduction
Lesson 1 • Halftones, Textures, and Tonal Range
Teaches how continuous-tone illustration translates into printable dot patterns and textures. Students learn to control tonal gradients within the limits of each process.
Lesson 2 • Thinking in Layers and Separations
Reframes illustration composition as a stack of single-colour layers that will print independently. Connects design decisions directly to physical ink passes on press.
Lesson 3 • Typography and Fine Detail Considerations
Addresses minimum line weights, type sizes, and knockout vs. overprint text for legibility. Connects typographic decisions to the physical limits of mesh and drum resolution.
Lesson 4 • File Setup and Resolution Standards
Establishes correct document dimensions, resolution, and colour mode for both processes. Prevents common file errors that cause failed exposures or poor print quality.
Lesson 5 • Proofing and Preflight Workflows
Introduces soft-proofing, colour simulation, and file checklist routines before committing to physical output. Reduces costly errors and wasted materials in production.
Chapter 3HideHide detailsSee detailsScreen Printing: Equipment and Studio Setup
Screen Printing: Equipment and Studio Setup
Lesson 1 • Film Output and Screen Exposure
Explains how to output positive films and expose screens to UV light for accurate stencil creation. Correct exposure is the bridge between digital artwork and physical stencil.
Lesson 2 • Anatomy of a Screen Printing Press
Identifies every component of a flatbed and carousel press and explains each part's function. Provides the mechanical literacy needed for consistent, repeatable printing.
Lesson 3 • Registration Systems and Setup
Teaches pin registration, laser guides, and manual alignment methods for multi-colour accuracy. Precise registration setup prevents colour misalignment across all print runs.
Lesson 4 • Emulsion Coating and Screen Preparation
Covers emulsion types, coating technique, and drying conditions that determine stencil quality. A well-coated screen is the single most important factor in print sharpness.
Lesson 5 • Ink Selection and Mixing for Screen Print
Surveys plastisol, water-based, and discharge inks and their suitability for different substrates. Students mix custom colours using spot-colour matching systems.
Chapter 4HideHide detailsSee detailsScreen Printing: Pulling Prints and Finishing
Screen Printing: Pulling Prints and Finishing
Lesson 1 • Curing, Drying, and Quality Control
Explains heat curing for plastisol, air drying for water-based inks, and quality inspection criteria. Proper curing determines the durability and archival quality of finished prints.
Lesson 2 • Specialty Inks and Surface Effects
Introduces metallic, fluorescent, puff, and transparent inks to expand the visual vocabulary of screen-printed illustration. Each ink type requires specific handling adjustments.
Lesson 3 • Squeegee Technique and Ink Deposit
Develops correct squeegee angle, pressure, and stroke speed for even ink transfer. Consistent technique is the foundation of a clean, repeatable print edition.
Lesson 4 • Printing Multi-Colour Editions
Guides students through sequencing colour passes, managing wet-on-wet printing, and maintaining consistency across an edition. Builds production discipline for illustration print runs.
Lesson 5 • Screen Reclaiming and Studio Cleanup
Covers ink removal, emulsion stripping, and screen degreasing to restore screens for reuse. Efficient cleanup extends equipment life and keeps the studio safe and organised.
Chapter 5HideHide detailsSee detailsRisograph Printing: Machine Operation and Setup
Risograph Printing: Machine Operation and Setup
Lesson 1 • Drum Installation and Ink Management
Teaches correct drum insertion, ink level monitoring, and drum storage to maintain print quality. Proper drum care directly affects ink density and colour consistency.
Lesson 2 • Risograph Machine Anatomy and Controls
Maps every control panel function, paper feed mechanism, and drum slot to its operational role. Mechanical literacy prevents user errors and enables confident troubleshooting.
Lesson 3 • Paper Selection and Feed Calibration
Covers paper weight ranges, surface textures, and feed calibration settings that affect ink absorption and registration. Paper choice is one of the most impactful creative decisions in Risograph.
Lesson 4 • Master Making and Image Burning
Explains how the thermal head burns a master from a digital or scanned source file. Master quality determines the sharpness and tonal fidelity of every print in the run.
Lesson 5 • Print Speed, Density, and Test Runs
Introduces speed settings, ink density controls, and the test-print routine for dialling in consistent output. Systematic testing before a full run prevents wasted paper and ink.
Chapter 6HideHide detailsSee detailsRisograph Printing: Multi-Colour Runs and Registration
Risograph Printing: Multi-Colour Runs and Registration
Lesson 1 • Overprint Colour Mixing on Risograph
Explores how Risograph inks interact when layered, producing unexpected tertiary colours and transparency effects. Students predict and design for overprint results before printing.
Lesson 2 • Managing Ink Ghosting and Smearing
Identifies causes of ink ghosting, smearing, and set-off and provides practical remedies for each. Controlling these artefacts is essential for producing clean, edition-quality prints.
Lesson 3 • Completing and Numbering an Edition
Covers edition sorting, quality grading, signing, numbering, and packaging for distribution or sale. Professional edition practices build credibility and protect the value of the work.
Lesson 4 • Planning a Multi-Colour Risograph Edition
Structures the workflow for printing multiple colour passes through a single-drum machine. Sequencing decisions made here determine the entire production flow of the edition.
Lesson 5 • Registration Techniques for Risograph
Teaches corner marks, paper joggers, and feed-edge consistency methods to achieve tight registration. Students also learn to use deliberate misregistration as a design feature.
Chapter 7HideHide detailsSee detailsCombining Screen Print and Risograph
Combining Screen Print and Risograph
Lesson 1 • File Preparation for Hybrid Editions
Adapts file setup and separation workflows to serve both processes within one cohesive artwork. Correct file architecture prevents misalignment and colour conflicts between passes.
Lesson 2 • Conceptual Framework for Hybrid Printing
Establishes criteria for deciding which elements of an illustration suit screen print vs. Risograph. Strategic process assignment maximises visual impact and production efficiency.
Lesson 3 • Production Sequencing and Logistics
Plans the physical order of screen print and Risograph passes to avoid ink damage and registration loss. Logistics decisions here determine whether the hybrid edition succeeds or fails.
Lesson 4 • Achieving Visual Cohesion Across Processes
Addresses colour harmony, texture contrast, and compositional unity when two distinct processes share a single image. Students develop an eye for hybrid aesthetics through critique.
Chapter 8HideHide detailsSee detailsEdition Production and Professional Practice
Edition Production and Professional Practice
Lesson 1 • Project Planning and Edition Sizing
Guides students through scoping an edition: image selection, run size, substrate choice, and timeline. Realistic planning prevents overcommitment and ensures a completed, sellable edition.
Lesson 2 • Production Efficiency and Batch Printing
Introduces batch workflows, press setup optimisation, and time-saving routines for producing editions at scale. Efficiency skills translate directly to profitability in professional practice.
Lesson 3 • Presenting and Selling Print Editions
Prepares students to present work at fairs, in online shops, and through galleries with professional framing and copy. Selling skills complete the cycle from studio to collector.
Lesson 4 • Pricing, Costing, and Edition Value
Teaches material cost calculation, labour valuation, and pricing strategies for limited-edition prints. Students build a pricing model they can apply immediately to their own work.
Lesson 5 • Documentation, Certificates, and Archiving
Covers edition certificates of authenticity, photographic documentation, and archival storage standards. Proper documentation protects the artist's reputation and the collector's investment.
Your valid completion certificate
This course is for you:
Illustrator: wants to produce physical editions from existing digital artwork.
Graphic designer: ready to move beyond screen into hands-on print production.
Zine maker: seeking technical depth to elevate self-published work quality.
Art school graduate: building a professional print practice after formal education.
Hobbyist printmaker: transitioning from casual experiments to edition-quality output.
Surface pattern designer: exploring limited-colour print media as a new creative outlet.
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