Music Keyboard Course

Lesson 1 • Posture and Bench Setup

Covers correct bench height, distance, and spinal alignment. Proper posture prevents repetitive strain and supports long practice sessions.

Lesson 2 • Anatomy of the Keyboard

Identifies white and black keys, octave groupings, and register names. Establishes spatial awareness essential for all subsequent navigation skills.

Lesson 3 • Basic Key Touch and Sound Production

Explores how key velocity and weight affect tone. Students connect physical touch to audible dynamics for the first time.

Lesson 4 • Finger Numbering and Independence

Introduces standard finger numbering (1–5) and basic independence exercises. Finger independence reduces tension and enables clean melodic lines.

Lesson 1 • Time Signatures and Meter

Explains 4/4, 3/4, and 2/4 time signatures and how beats are grouped. Meter awareness shapes phrasing and rhythmic feel in performance.

Lesson 2 • The Grand Staff and Clefs

Introduces treble and bass clefs, staff lines, and spaces. Understanding the grand staff links written notation to keyboard geography.

Lesson 3 • Basic Dynamic and Articulation Markings

Introduces piano, forte, crescendo, decrescendo, slurs, and staccato markings. These symbols translate expressive intent from the page to the keys.

Lesson 4 • Sight-Reading Simple Melodies

Applies notation knowledge to reading short, stepwise melodies hands separately. Sight-reading practice builds fluency and reduces dependence on memorization.

Lesson 1 • The Major Scale Formula

Derives the whole-step/semitone pattern and applies it to C major. Understanding the formula allows construction of any major scale from any root.

Lesson 2 • Applying Scales to Musical Passages

Connects scale practice to scalar runs in simple pieces and exercises. Students recognise scale patterns in repertoire, accelerating learning and memorization.

Lesson 3 • Flat Key Signatures

Covers F, B-flat, E-flat, A-flat, D-flat, and G-flat major scales and signatures. Students learn the order of flats and the penultimate-flat shortcut.

Lesson 4 • Sharp Key Signatures

Covers G, D, A, E, B, F-sharp, and C-sharp major scales and their signatures. Students learn the order of sharps and the key-name shortcut.

Lesson 1 • Inversions and Voice Leading

Covers first and second inversions and smooth voice-leading between chords. Inversions reduce hand movement and create connected, professional-sounding progressions.

Lesson 2 • Primary Chord Progressions

Introduces I, IV, and V7 chords and their function in major keys. These three chords harmonise the majority of folk, pop, and classical melodies.

Lesson 3 • Harmonising a Simple Melody

Applies chord knowledge to add left-hand harmony to a given melody. Students develop the analytical skill of choosing appropriate chords by ear and by analysis.

Lesson 4 • Left-Hand Accompaniment Patterns

Teaches Alberti bass, broken chord, and block chord patterns in the left hand. Varied accompaniment textures support melody and define musical style.

Lesson 1 • Rhythmic Coordination and Syncopation

Trains hands to play contrasting rhythms simultaneously, including syncopated patterns. Rhythmic independence is critical for ensemble playing and stylistic versatility.

Lesson 2 • Legato and Staccato Control

Develops precise articulation through contrasting touch exercises and etudes. Articulation control is the primary tool for shaping musical character.

Lesson 3 • Arpeggios Across the Keyboard

Extends triad knowledge into broken-chord arpeggios spanning two or more octaves. Arpeggio fluency is essential for classical, jazz, and pop keyboard styles.

Lesson 4 • Hanon and Five-Finger Exercises

Uses sequential five-finger patterns to build independence and evenness. Consistent daily repetition conditions the muscles for reliable technical performance.

Lesson 1 • Minor Key Chord Progressions

Builds i, iv, V7, and VI chords in minor keys and common progressions. Minor harmony creates emotional depth and stylistic contrast with major tonality.

Lesson 2 • Natural, Harmonic, and Melodic Minor

Derives all three minor scale forms from the major scale and explains their harmonic roles. Minor scale fluency is prerequisite for classical and jazz harmony.

Lesson 3 • Modal Harmony and Chord Scales

Derives diatonic chords from each mode and identifies characteristic modal sounds. Chord-scale relationships are foundational for jazz and contemporary improvisation.

Lesson 4 • Applying Modes to Repertoire

Performs modal pieces and identifies modal passages in existing repertoire. Practical application solidifies theoretical understanding and expands stylistic range.

Lesson 1 • Tempo Flexibility and Rubato

Introduces controlled tempo fluctuation to serve musical expression. Students learn when and how to apply rubato without losing rhythmic coherence.

Lesson 2 • Phrasing and Musical Shaping

Teaches phrase arcs, breath points, and dynamic contour within musical lines. Expressive phrasing transforms technically correct playing into communicative performance.

Lesson 3 • Pedaling Techniques

Covers sustain pedal use, syncopated pedaling, and half-pedaling for clarity. Pedaling is the primary tool for legato connection and tonal colour.

Lesson 4 • Learning a New Piece Systematically

Establishes a step-by-step practice method: analysis, hands-separate, slow hands-together, and polishing. A systematic approach reduces errors and shortens learning time.

Lesson 1 • ii-V-I Progressions and Turnarounds

Applies the ii-V-I progression in major and minor keys across all 12 keys. This progression is the structural backbone of jazz harmony and functional reharmonisation.

Lesson 2 • Building an Improvised Solo

Structures a solo using motif development, call-and-response, and dynamic contrast. Architectural thinking transforms random note choices into coherent musical statements.

Lesson 3 • Scales for Improvisation

Maps pentatonic, blues, bebop, and altered scales to their target chords. Scale-chord relationships give improvisers a reliable framework for note choice.

Lesson 4 • Reharmonisation Techniques

Introduces tritone substitution, secondary dominants, and chord substitution strategies. Reharmonisation allows creative reinvention of standard melodies and progressions.