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Violin Making Course
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Violin Making Course

4.3

Build a complete, playable violin from raw tonewoods using the same hand tools and techniques professional luthiers rely on every day. This course covers every stage of construction, from mould building and plate carving to varnishing and final setup. If you're serious about mastering violin lutherie, this is where you start.

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What you will learn:

You will learn how to select and prepare tonewoods, construct an internal mould, bend and assemble the rib structure, and carve acoustically graduated top and back plates. The course covers bass bar fitting, sound post installation, neck carving, scroll shaping, and body closing. You will apply traditional varnishing methods and complete a full instrument setup including bridge fitting, peg reaming, and fingerboard planing. Repair techniques such as crack cleating, seam re-gluing, and neck resetting are also included. By the end, you will have the knowledge and hands-on skills to build and repair violins to professional standards.

How you study practically Violin Making Course

How you practise Violin Making Course

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Course content

8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Violin Lutherie

  • Lesson 1 • Workshop Setup and Safety

    Establishes a safe, organised workspace with proper tool storage and ventilation. Directly enables safe execution of all subsequent hands-on work.

  • Lesson 2 • Measurement and Layout Techniques

    Teaches calipers, templates, and marking gauges for precise layout. Accurate measurement underpins every subsequent construction step.

  • Lesson 3 • Tonewoods and Material Selection

    Examines spruce, maple, and alternative tonewoods by grain, density, and tap tone. Connects material choice to tonal outcome.

  • Lesson 4 • Violin Anatomy and Acoustics

    Covers all structural parts and their acoustic roles. Establishes vocabulary used throughout the entire course.

  • Lesson 5 • Essential Hand Tools

    Introduces planes, chisels, gouges, and scrapers used in violin making. Students practise sharpening and basic handling before cutting wood.

Chapter 2See details

Mold Construction and Rib Assembly

  • Lesson 1 • Fitting and Gluing the Garland

    Covers fitting ribs to blocks, applying hide glue, and clamping sequences. A well-fitted garland provides a true reference surface for both plates.

  • Lesson 2 • Building the Internal Mold

    Covers layout, cutting, and truing a plywood mold to master template dimensions. The mold governs the outline of the finished instrument.

  • Lesson 3 • Linings Installation

    Teaches kerfed and willow lining fitting, gluing, and levelling. Linings increase gluing surface area for secure plate attachment.

  • Lesson 4 • Preparing Rib Stock

    Teaches thicknessing maple ribs to uniform depth and grain orientation. Consistent rib thickness ensures even bending and structural integrity.

  • Lesson 5 • Bending Ribs on the Iron

    Demonstrates controlled heat bending using a bending iron and forms. Students achieve smooth curves without cracks or scorching.

Chapter 3See details

Top and Back Plate Construction

  • Lesson 1 • Bookmatching and Jointing Plates

    Covers splitting, bookmatching, and hand-planing a perfect centre joint. A tight, invisible joint is structurally and aesthetically essential.

  • Lesson 2 • Plate Graduation and Tap Tuning

    Teaches systematic thickness graduation using calipers and tap tones to target modal frequencies. Graduation is the primary acoustic control available to the maker.

  • Lesson 3 • Carving the Arch

    Develops gouge and finger plane technique to achieve correct arch height and shape. Arch geometry directly controls tonal response and structural strength.

  • Lesson 4 • Outlining and Cutting the Plate

    Teaches transferring the outline, cutting with a scroll saw, and refining edges. The accurate outline sets the foundation for purfling and edge work.

  • Lesson 5 • Purfling Installation

    Covers routing the channel, mitering corners, and gluing purfling strips. Purfling prevents edge cracking and defines the instrument's visual character.

Chapter 4See details

Bass Bar, Sound Post, and Closing

  • Lesson 1 • Edge Work and Overhang

    Refines the plate overhang, rounds the edge, and blends the fluting after closing. Consistent overhang and edge rounding define craftsmanship quality.

  • Lesson 2 • Bass Bar Fitting and Gluing

    Covers shaping, fitting, and gluing the spruce bass bar to the top plate interior. Correct fit and position are critical to tonal balance and structural support.

  • Lesson 3 • Closing the Body

    Teaches gluing the top and back plates to the garland in correct sequence. A well-closed body has no gaps and maintains the intended arch geometry.

  • Lesson 4 • Sound Post Fitting

    Covers cutting, fitting, and positioning the spruce sound post through the f-hole. Sound post position profoundly affects tonal balance and playability.

Chapter 5See details

Neck Carving and Setting

  • Lesson 1 • Finishing the Scroll and Pegbox

    Refines volute chamfers, fluting, and pegbox interior to final dimensions. Precise pegbox dimensions ensure proper peg fit and string alignment.

  • Lesson 2 • Neck Mortise and Angle Setting

    Teaches cutting the mortise in the top block and setting neck angle and projection. Correct geometry is verified with a straightedge before gluing.

  • Lesson 3 • Scroll Layout and Roughing

    Teaches drawing the scroll volute and removing waste with saw and gouges. The scroll is the maker's signature and requires confident tool control.

  • Lesson 4 • Gluing and Securing the Neck

    Covers applying hide glue, clamping the neck, and verifying alignment after glue-up. A secure, aligned neck joint is essential for long-term structural integrity.

  • Lesson 5 • Neck Shaping and Heel

    Covers shaping the neck taper, undercut, and heel to standard dimensions. Neck shape directly determines playing comfort and hand position.

Chapter 6See details

Finishing and Varnishing

  • Lesson 1 • Top Coat and Curing

    Applies clear protective top coats and manages UV and heat curing. Proper curing produces a hard, flexible film that does not dampen vibration.

  • Lesson 2 • Colour Coat Techniques

    Covers mixing and applying spirit and oil varnish colour coats to achieve target hue. Colour layering creates the optical depth characteristic of fine instruments.

  • Lesson 3 • Polishing and Rubbing Out

    Teaches levelling, polishing, and buffing the cured varnish to a final sheen. Rubbing out removes surface defects and achieves the desired gloss level.

  • Lesson 4 • Surface Preparation for Finishing

    Covers final scraping, sanding, and pore sealing before any finish is applied. Thorough preparation determines the quality of every subsequent finish coat.

  • Lesson 5 • Ground and Sealer Application

    Teaches oil, protein, and mineral grounds that seal wood and enhance colour depth. The ground layer influences both optical depth and acoustic properties.

Chapter 7See details

Setup and Fitting of Components

  • Lesson 1 • Fingerboard Fitting and Planing

    Covers gluing and planing the ebony fingerboard to correct scoop and taper. Fingerboard geometry directly controls action and intonation across all positions.

  • Lesson 2 • Nut Cutting and Slotting

    Covers shaping the nut blank and cutting string slots to correct spacing and depth. Nut slot depth sets open-string action and affects playability in first position.

  • Lesson 3 • Bridge Cutting and Fitting

    Teaches selecting, fitting, and carving the bridge to correct height, curve, and foot contact. The bridge is the primary acoustic coupler between strings and top.

  • Lesson 4 • Peg Fitting and Reaming

    Teaches reaming peg holes and fitting tapered pegs for smooth, reliable tuning. Properly fitted pegs hold pitch without slipping or binding.

  • Lesson 5 • Stringing and Final Adjustment

    Covers installing strings, tailpiece, and chinrest, then making final action adjustments. Students verify playability across all positions before instrument delivery.

Chapter 8See details

Repair, Restoration, and Quality Control

  • Lesson 1 • Quality Control and Documentation

    Establishes measurable standards for geometry, finish, and playability before instrument release. Systematic documentation supports traceability and professional accountability.

  • Lesson 2 • Crack Repair Techniques

    Covers cleating, gluing, and retouching top and back cracks of varying severity. Correct crack repair restores structural integrity without compromising acoustics.

  • Lesson 3 • Neck Reset and Projection Correction

    Teaches removing, resetting, and re-gluing necks to restore correct projection. Neck reset is one of the most common and consequential repairs on older instruments.

  • Lesson 4 • Varnish Touch-Up and Retouching

    Teaches colour matching and applying retouching varnish to damaged areas. Invisible retouching preserves instrument value and aesthetic integrity.

  • Lesson 5 • Seam Opening and Re-gluing

    Covers detecting, opening, and re-gluing top and back plate seams. Open seams cause buzzing and structural weakness if left unaddressed.

Certification

Your valid completion certificate

This course is for you:

  • Woodworker: eager to apply existing hand-tool skills to acoustic instrument construction.

  • Violin student or player: curious about the engineering and craft behind their instrument.

  • Career changer: drawn to artisan trades and looking for a structured entry point.

  • Music teacher: wanting deeper material knowledge to better guide students and recommend repairs.

  • Hobbyist maker: ready to take on the most demanding and rewarding project of their life.

  • Repair technician: seeking formal lutherie training to expand workshop services professionally.

What our students say

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of my interest without needing to change platforms... I thank you for everything you do, I've already recommended you to other people...
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Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
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Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos help a lot with learning.
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