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Sound and Light Training
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Sound and Light Training

5

Sound and Light Training gives you the technical foundation to work confidently across professional audio and lighting production. From acoustic principles and signal chains to DMX control and live show operation, every skill you need is covered in one comprehensive programme. This is the complete training path for anyone serious about a career in live events, studio work, or AV production.

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What you will learn:

You will build a thorough understanding of sound and light as physical phenomena, then apply that knowledge to real production environments. You will learn how audio signals travel from microphone to loudspeaker, how rooms affect sound, and how to use EQ, compression, and time-based effects to shape audio professionally. On the lighting side, you will study fixture types, optics, colour theory, and design principles for theatrical, concert, and broadcast contexts. You will configure DMX512 and network-based control systems, draft lighting plots, and operate consoles. The programme also covers studio recording, live streaming, rigging safety, project budgeting, and career development.

How you study practically Sound and Light Training

How you practise Sound and Light Training

For companies looking to train their teams

With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course content

8 Chapters • 41 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Sound and Light

  • Lesson 1 • Measurement Units and Standards

    Defines decibels, hertz, lumens, lux, and candela as standard measurement units. Ensures accurate communication across audio and lighting disciplines.

  • Lesson 2 • Properties of Sound Waves

    Examines how sound propagates through media, including compression and rarefaction cycles. Connects acoustic behaviour to real-world production environments.

  • Lesson 3 • Human Perception of Sound and Light

    Explores how the ear and eye convert physical stimuli into perceived sensation. Grounds technical decisions in audience experience and perceptual limits.

  • Lesson 4 • Nature of Wave Energy

    Introduces transverse and longitudinal waves, frequency, wavelength, and amplitude. Provides the shared vocabulary used throughout the entire course.

  • Lesson 5 • Properties of Light Waves

    Covers the electromagnetic spectrum, visible light range, and photon behaviour. Establishes the optical foundation required for lighting design chapters.

Chapter 2See details

Audio Signal Chain Fundamentals

  • Lesson 1 • Amplifiers and Loudspeakers

    Covers power amplifier classes, speaker driver types, and crossover networks. Completes the signal chain from console output to acoustic output.

  • Lesson 2 • Preamplifiers and Gain Structure

    Explains preamplification, headroom, and proper gain staging across the signal chain. Prevents noise and distortion through correct level management.

  • Lesson 3 • Mixing Console Architecture

    Details channel strips, buses, auxiliary sends, and master outputs on analogue and digital consoles. Prepares students for hands-on mixing in later chapters.

  • Lesson 4 • Cables, Connectors, and Impedance

    Identifies balanced and unbalanced connections, common connector types, and impedance matching. Reduces signal degradation in professional installations.

  • Lesson 5 • Signal Sources and Transducers

    Covers microphones, instruments, and line-level sources as signal origins. Establishes how acoustic energy converts to electrical signals.

Chapter 3See details

Acoustics and Room Behaviour

  • Lesson 1 • Acoustic Measurement Techniques

    Introduces impulse response measurement, frequency analysis, and waterfall plots. Enables data-driven acoustic diagnosis and treatment verification.

  • Lesson 2 • Sound Reflection and Reverberation

    Examines specular reflection, early reflections, and reverb decay time (RT60). Connects room geometry to perceived spaciousness and intelligibility.

  • Lesson 3 • Absorption and Diffusion Materials

    Compares porous absorbers, bass traps, and diffusers by frequency effectiveness. Guides material selection for acoustic treatment projects.

  • Lesson 4 • Room Modes and Standing Waves

    Identifies axial, tangential, and oblique room modes that cause frequency buildup. Teaches calculation and mitigation of problematic resonances.

  • Lesson 5 • Noise Control and Isolation

    Covers sound transmission class, mass law, and decoupling techniques for noise isolation. Applies to studio construction and live venue management.

Chapter 4See details

Audio Processing and Equalisation

  • Lesson 1 • Dynamic Range Processing

    Covers compressors, limiters, expanders, and gates with threshold, ratio, and attack settings. Teaches level control for consistent, professional-sounding audio.

  • Lesson 2 • Equaliser Types and Applications

    Compares graphic, parametric, and shelving equalisers by control flexibility and use case. Builds the spectral shaping skills central to mixing and system tuning.

  • Lesson 3 • Time-Based Effects

    Explains delay, reverb, chorus, and flanger as time-domain processors. Connects creative effect use to acoustic simulation and spatial enhancement.

  • Lesson 4 • System Equalisation and Alignment

    Applies real-time analysis and parametric EQ to tune loudspeaker systems to a target curve. Bridges processing knowledge to live and installed audio systems.

  • Lesson 5 • Digital Audio Workstation Processing

    Introduces plugin chains, insert vs. send routing, and mix bus processing in a DAW. Prepares students for studio recording and post-production workflows.

Chapter 5See details

Light Sources and Fixture Types

  • Lesson 1 • Fixture Optics and Beam Control

    Covers lenses, reflectors, gobos, and barn doors as beam-shaping tools. Connects optical components to precise light placement and quality control.

  • Lesson 2 • Moving Lights and Automated Fixtures

    Introduces pan/tilt mechanics, colour mixing systems, and effects wheels in automated fixtures. Prepares students for programming and control in later chapters.

  • Lesson 3 • Incandescent and Halogen Sources

    Covers tungsten filament operation, colour temperature, and halogen regenerative cycle. Establishes the baseline technology against which modern sources are compared.

  • Lesson 4 • LED Technology and Specifications

    Details LED chip types, colour rendering index, and thermal management in modern fixtures. Positions LED as the dominant current technology for energy-efficient lighting.

  • Lesson 5 • Discharge and Arc Lamp Technology

    Examines HMI, xenon, and metal halide lamps used in high-output professional fixtures. Addresses strike time, restrike delay, and ballast requirements.

Chapter 6See details

Lighting Design Principles

  • Lesson 1 • Angle and Position Fundamentals

    Examines front, side, back, and top lighting angles and their effect on subject appearance. Guides fixture placement decisions for theatrical, broadcast, and event contexts.

  • Lesson 2 • Designing for Different Environments

    Adapts design principles to theatrical, concert, broadcast, and architectural contexts. Reinforces that fixture selection and placement depend on venue and audience needs.

  • Lesson 3 • Lighting Plots and Documentation

    Teaches drafting lighting plots, instrument schedules, and focus charts using standard symbols. Produces professional documentation required for crew communication and load-ins.

  • Lesson 4 • Qualities of Light

    Defines intensity, colour, direction, and texture as the four fundamental qualities of light. Provides the design vocabulary used in all subsequent lighting work.

  • Lesson 5 • Colour Theory for Lighting

    Covers additive colour mixing, colour temperature, and gel selection for creative and corrective use. Enables accurate colour communication between designers and operators.

Chapter 7See details

Control Systems and Protocols

  • Lesson 1 • Network-Based Control Protocols

    Covers Art-Net, sACN, and Ethernet-based distribution of DMX universes over IP networks. Scales control systems beyond single-universe DMX limitations.

  • Lesson 2 • Audio Control and Networking

    Covers digital audio networking protocols for routing audio over Ethernet infrastructure. Integrates audio control into the broader system control discussion.

  • Lesson 3 • System Integration and Troubleshooting

    Addresses common control failures, signal conflicts, and diagnostic workflows for integrated systems. Builds systematic fault-finding skills applicable to live and installed environments.

  • Lesson 4 • Lighting Control Consoles

    Introduces console architecture, fixture libraries, and programmer workflow on professional desks. Connects protocol knowledge to hands-on fixture control and cueing.

  • Lesson 5 • DMX512 Protocol Fundamentals

    Explains DMX512 data structure, universe capacity, and start address assignment. Provides the foundational control knowledge required for all fixture programming.

Chapter 8See details

Live Production and System Design

  • Lesson 1 • Load-Out and Post-Show Workflow

    Addresses equipment strike, coiling, labelling, and post-show documentation practices. Reinforces professional standards that protect gear and support future productions.

  • Lesson 2 • Production Planning and Rider Analysis

    Covers reading technical riders, creating input lists, and coordinating advance logistics. Establishes the pre-production workflow that determines on-site success.

  • Lesson 3 • Load-In, Rigging, and Safety

    Covers rigging hardware, load calculations, and safety protocols for overhead equipment. Ensures structural and electrical safety during system installation.

  • Lesson 4 • Soundcheck and System Optimisation

    Guides the soundcheck process from line check through full band optimisation. Applies EQ, gain structure, and monitor mixing skills in a live context.

  • Lesson 5 • Show Operation and Cueing

    Covers real-time mixing, lighting cue execution, and communication protocols during a live show. Develops the operational discipline required for professional performance.

  • Lesson 6 • System Design and Signal Flow

    Applies signal chain and control protocol knowledge to design scalable live production systems. Produces system drawings and rack layouts for crew execution.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring live event technician: wants structured training before entering the industry.

  • Theatre student: needs technical grounding to complement performance and design studies.

  • Freelance musician: ready to handle their own sound and stage lighting independently.

  • Career changer: bringing transferable skills and seeking a new path in AV production.

  • Venue staff member: looking to move from general duties into dedicated technical roles.

  • Hobbyist AV enthusiast: eager to turn weekend passion projects into professional-level work.

What our students say

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of my interest without needing to change platforms... I thank you for everything you do, I've already recommended you to other people...
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Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
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Mariana FerresPhotography Student
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos help a lot with learning.
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André FelipePrompt Engineering Student

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