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Jazz Guitar Course
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Jazz Guitar Course

Take your guitar playing from basic chords to full jazz fluency with a curriculum that covers harmony, improvisation, and real repertoire. You'll master the voicings, scales, and phrasing techniques used by working jazz guitarists every night on the bandstand. This course builds serious skills — from shell voicings and bebop lines to chord-melody arrangements and outside playing.

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What you will learn:

You'll develop a complete jazz guitar skill set, starting with fretboard fundamentals and progressing through advanced harmony and improvisation. You'll learn to read jazz chord symbols, build drop-2 and extended voicings, and navigate the ii-V-I progression with confidence. The course covers swing feel, syncopation, and comping techniques for both small groups and big band contexts. You'll study bebop vocabulary, melodic minor modes, and reharmonization tools used by professional arrangers. By the end, you'll perform chord-melody arrangements, transcribe recorded solos, and improvise with a personal, informed voice across multiple jazz styles.

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Course content

8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Guitar Fundamentals for Jazz

  • Lesson 1 • Reading Jazz Chord Symbols

    Decodes the shorthand notation used in jazz lead sheets and real books. Students translate symbols into playable voicings from the first lesson.

  • Lesson 2 • Tuning and Ear Training Basics

    Develops reliable pitch recognition and tuning habits essential for ensemble playing. Accurate intonation is reinforced through interval singing exercises.

  • Lesson 3 • Posture, Grip, and Setup

    Establishes ergonomic playing position and proper pick or fingerstyle grip. Correct setup prevents injury and enables efficient technique throughout the course.

  • Lesson 4 • Fretboard Navigation Basics

    Introduces note names across all six strings and octave relationships. Fretboard literacy underpins every chord, scale, and improvisation concept in later chapters.

  • Lesson 5 • Essential Open and Barre Chords

    Covers foundational chord shapes that appear in jazz standards. These shapes serve as reference points before movable jazz voicings are introduced.

Chapter 2See details

Jazz Harmony and Chord Voicings

  • Lesson 1 • Triads and Seventh Chord Theory

    Explains how triads stack into seventh chords and why each chord quality functions differently. Theory is immediately applied to guitar shapes.

  • Lesson 2 • Extended and Altered Voicings

    Adds 9ths, 11ths, 13ths, and alterations to basic shapes for richer harmonic color. Students learn when and how to substitute extensions in context.

  • Lesson 3 • Chord Inversions and Voice Leading

    Explores how inversion choice creates smooth melodic bass lines and inner-voice motion. Students connect voicings with minimal finger movement.

  • Lesson 4 • Shell Voicings and Guide Tones

    Teaches 3-note shell voicings using root, 3rd, and 7th. Guide tones define chord quality and enable smooth voice leading in comping.

  • Lesson 5 • Drop-2 Voicings

    Introduces the most common four-note jazz voicing system derived from close-position chords. Drop-2 shapes are practiced across all string sets.

Chapter 3See details

Jazz Scales and Modes

  • Lesson 1 • Melodic Minor Scale and Modes

    Introduces the jazz melodic minor scale and its four most-used modes. These modes unlock altered dominant and Lydian dominant sounds.

  • Lesson 2 • Symmetrical Scales

    Teaches whole-tone and diminished (octatonic) scales used over altered and diminished chords. Symmetry enables rapid transposition across the fretboard.

  • Lesson 3 • Pentatonic and Blues Scales

    Covers major and minor pentatonic scales and the blues scale as foundational jazz-blues tools. Students learn to superimpose pentatonics over complex harmony.

  • Lesson 4 • Major Scale and Its Modes

    Derives all seven modes from the major scale and assigns each to a chord quality. Modal thinking replaces key-center thinking for improvisation.

  • Lesson 5 • Bebop Scales

    Adds a chromatic passing tone to diatonic scales so chord tones land on strong beats. Bebop scales are the rhythmic engine of the jazz vocabulary.

Chapter 4See details

Rhythm, Comping, and Groove

  • Lesson 1 • Syncopation and Rhythmic Displacement

    Trains anticipation and delayed placement of chord hits for authentic jazz comping. Syncopation creates forward momentum and rhythmic interest.

  • Lesson 2 • Swing Feel and Eighth-Note Phrasing

    Explains the triplet subdivision underlying swing eighth notes and how to internalize it. Accurate swing feel is the defining rhythmic characteristic of jazz.

  • Lesson 3 • Practicing with Play-Along Tracks

    Applies comping skills to recorded rhythm section tracks across multiple jazz styles. Consistent play-along practice builds real-time musical decision-making.

  • Lesson 4 • Freddie Green Rhythm Guitar Style

    Introduces the four-to-the-bar comping style used in big band and swing contexts. Students develop a steady, percussive chord pulse with minimal sustain.

  • Lesson 5 • Modern Comping Approaches

    Covers interactive, conversational comping behind a soloist using space and dynamics. Students respond to melodic phrases rather than playing constant chords.

Chapter 5See details

Jazz Improvisation Fundamentals

  • Lesson 1 • Chord-Tone Soloing

    Anchors improvisation to arpeggio tones for harmonic clarity over chord changes. Chord-tone targeting is the foundation of bebop melodic construction.

  • Lesson 2 • Motif Development and Variation

    Teaches how to generate, repeat, and transform short melodic ideas for musical coherence. Motif development prevents aimless scale running.

  • Lesson 3 • Phrasing, Space, and Dynamics

    Develops musical phrasing by balancing notes with silence and varying intensity. Space and dynamics distinguish expressive soloists from technical players.

  • Lesson 4 • Soloing Over a 12-Bar Blues

    Applies all improvisation tools to the blues form, the most common jazz vehicle. Students build complete solos with clear structure and emotional arc.

  • Lesson 5 • Navigating the ii-V-I Progression

    Focuses improvisation on the most common jazz harmonic movement using targeted scale and arpeggio choices. Mastery of ii-V-I unlocks most jazz standards.

Chapter 6See details

Jazz Standards and Repertoire

  • Lesson 1 • Transcription as a Learning Tool

    Guides students through transcribing recorded solos to internalize authentic jazz phrasing. Transcription is the most direct path to absorbing a master's vocabulary.

  • Lesson 2 • Playing the Melody (Head)

    Develops single-note melody playing with jazz articulation, vibrato, and phrasing. A well-played head communicates the tune's character before improvisation begins.

  • Lesson 3 • Anatomy of a Jazz Standard

    Analyzes the AABA and ABAC song forms, harmonic rhythm, and melodic structure of standards. Understanding form guides both comping and soloing decisions.

  • Lesson 4 • Repertoire Across Style Periods

    Surveys standards from swing, bebop, cool jazz, and post-bop eras to broaden stylistic range. Each era introduces distinct harmonic and rhythmic vocabulary.

  • Lesson 5 • Chord-Melody Arrangements

    Combines melody and chords into a self-contained solo guitar arrangement. Students voice chords beneath melody notes using drop-2 and shell voicings.

Chapter 7See details

Advanced Harmony and Reharmonization

  • Lesson 1 • Tritone Substitution

    Replaces dominant chords with a dominant a tritone away, sharing the same guide tones. Tritone subs create chromatic bass motion and harmonic surprise.

  • Lesson 2 • Passing Chords and Chromatic Harmony

    Adds chromatic passing chords between diatonic chords for smooth voice leading and tension. These techniques are essential for sophisticated comping and arranging.

  • Lesson 3 • Modal Interchange and Borrowing

    Borrows chords from parallel modes to add color outside the home key. Modal interchange is a primary tool of jazz composers and arrangers.

  • Lesson 4 • Full Reharmonization of a Standard

    Applies all substitution and borrowing techniques to create a complete reharmonized arrangement. Students balance harmonic interest with melodic clarity.

  • Lesson 5 • Secondary Dominants and Tonicization

    Introduces chords that temporarily tonicize non-tonic scale degrees for harmonic color. Students identify and insert secondary dominants into existing progressions.

Chapter 8See details

Advanced Improvisation and Style

  • Lesson 1 • Performing a Full Jazz Solo

    Integrates all improvisation skills into a multi-chorus solo with narrative arc and stylistic coherence. Performance under real conditions consolidates advanced musicianship.

  • Lesson 2 • Outside Playing and Superimposition

    Introduces deliberate harmonic tension by playing outside the key before resolving back in. Outside playing requires strong inside vocabulary as a foundation.

  • Lesson 3 • Modal Improvisation

    Shifts from chord-to-chord thinking to sustained modal color over static or slow-moving harmony. Modal playing demands melodic invention without frequent harmonic anchors.

  • Lesson 4 • Bebop Language and Vocabulary

    Internalizes the melodic formulas, enclosures, and chromatic devices that define bebop style. Bebop vocabulary is the common language of jazz improvisation.

  • Lesson 5 • Developing a Personal Voice

    Guides students to identify and cultivate their own melodic tendencies and tonal preferences. A personal voice emerges from selective use of learned vocabulary.

Certification

Your valid completion certificate

This course is for you:

  • Acoustic guitarist ready to explore jazz harmony and improvisation seriously.

  • Rock or blues player curious about jazz theory and chord vocabulary.

  • Music teacher wanting to expand their jazz guitar knowledge and repertoire.

  • Adult hobbyist who loves jazz records and wants to finally play it.

  • Singer-songwriter seeking richer harmonic language for their compositions.

  • College music student supplementing formal training with practical jazz guitar skills.

What our students say

Your classes are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of my interest without needing to change platforms... I thank you for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can switch chapters and skip content I don't need.
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Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
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André FelipePrompt Engineering Student

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