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Set Designer Course
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Set Designer Course

Master every stage of professional set design, from reading a script to delivering a construction-ready drawing package. This course covers visual research, scale modelling, set dressing, budgeting, and emerging digital tools. Whether you are targeting film, television, or theatre, you will graduate with a portfolio-ready capstone project and the skills to work confidently in any art department.

Dedika for students

What your team will master:

Begin with a solid foundation in set design principles, industry roles, and script analysis, and then move to visual research and concept development. Next, master technical drafting by hand and CAD, build physical and digital scale models, and learn professional set construction and finish processes. You will also study set decoration, continuity, and collaborate with costume, lighting, and camera departments. The course provides training in art department budgeting, scheduling, and production management. Advanced modules cover virtual production, sustainability, and AI-assisted design tools. Finish by creating a professional portfolio and a complete capstone package from concept to technical drawings.

How your team learns practically Set Designer Course

How your team practises Set Designer Course

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Course content

8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Set Design

  • Lesson 1 • Reading a Script for Design

    Teaches systematic script analysis to extract spatial, temporal, and tonal requirements. This skill drives all subsequent design decisions in a production.

  • Lesson 2 • History of Set Design

    Traces set design from ancient theater through contemporary film and digital production. Historical context informs aesthetic choices and professional conventions.

  • Lesson 3 • Introduction to Design Workflow

    Outlines the full design process from concept to strike, including key deliverables at each stage. Students map a production timeline and understand milestone dependencies.

  • Lesson 4 • Core Vocabulary and Concepts

    Introduces essential terminology used on set and in design documents. Accurate language use is foundational for all subsequent technical and creative work.

  • Lesson 5 • The Role of the Set Designer

    Defines the set designer's responsibilities within film, theater, and television productions. Establishes how the role intersects with directors, producers, and art departments.

Chapter 2See details

Visual Research and Concept Development

  • Lesson 1 • Developing a Design Concept

    Guides students from raw research to a unified design concept with a clear thematic statement. The concept anchors all spatial and decorative decisions throughout production.

  • Lesson 2 • Creating Mood Boards and Look Books

    Covers selection, curation, and layout of visual references into persuasive presentation tools. Mood boards communicate tone and palette to directors and collaborators.

  • Lesson 3 • Colour Theory for Set Design

    Applies colour theory principles specifically to three-dimensional environments and lighting interaction. Students select palettes that reinforce narrative and character psychology.

  • Lesson 4 • Period and Genre Research

    Focuses on accurately representing historical periods and genre conventions through material culture. Accuracy and stylization are balanced against budget and narrative needs.

  • Lesson 5 • Building a Research Strategy

    Establishes systematic approaches to gathering historical, cultural, and aesthetic references. Strong research prevents anachronism and supports creative credibility.

Chapter 3See details

Drafting and Technical Drawing

  • Lesson 1 • Floor Plans and Elevations

    Teaches construction of accurate floor plans and wall elevations from script and concept data. These drawings are the primary communication tool between designer and builder.

  • Lesson 2 • Drawing Package Assembly

    Guides students in compiling a complete, organised drawing package ready for the construction team. Proper package assembly reduces errors and miscommunication on the build.

  • Lesson 3 • Section Drawings and Details

    Covers cross-section drawings and large-scale detail drawings for complex set elements. Detail drawings ensure accurate fabrication of custom-built pieces.

  • Lesson 4 • Introduction to CAD Software

    Introduces industry-standard CAD tools for producing precise digital set drawings. Digital drafting accelerates revisions and integrates with 3D modelling workflows.

  • Lesson 5 • Drafting Fundamentals

    Introduces orthographic projection, line weights, and standard drawing conventions used in set design. These fundamentals underpin every technical document produced in production.

Chapter 4See details

Scale Models and Spatial Prototyping

  • Lesson 1 • Spatial Testing and Iteration

    Uses models to test actor movement, sightlines, and camera angles before committing to construction. Iteration at model stage prevents costly changes during the build.

  • Lesson 2 • Model-Making Materials and Tools

    Surveys materials, adhesives, and hand tools used in professional set design model making. Material selection affects model accuracy, durability, and presentation quality.

  • Lesson 3 • Digital 3D Modelling for Sets

    Introduces 3D modelling software to build virtual set environments for visualization and review. Digital models enable rapid iteration and virtual camera placement.

  • Lesson 4 • Building a White Model

    Covers construction of an unpainted architectural model to study massing and spatial flow. White models allow directors and cinematographers to evaluate space without colour distraction.

  • Lesson 5 • Finished Presentation Models

    Advances model making to include colour, texture, and decorative dressing at scale. Finished models serve as client-facing presentation tools and design approval documents.

Chapter 5See details

Set Construction and Materials

  • Lesson 1 • Surface Materials and Finishes

    Surveys materials used for floors, walls, and ceilings, including their camera and lighting properties. Material choices directly affect the visual quality captured on screen or stage.

  • Lesson 2 • Structural Systems for Sets

    Covers the framing, bracing, and support systems used to build safe, stable set structures. Structural knowledge enables designers to specify builds that meet safety standards.

  • Lesson 3 • Construction Supervision and Quality Control

    Teaches the designer's role in supervising builds, conducting site checks, and approving finished work. Effective supervision ensures the built set matches the approved design intent.

  • Lesson 4 • Practical Elements and Rigging

    Covers installation of practical lighting, working doors, and rigged elements within set construction. Practical elements add realism and must be coordinated with electrical and grip departments.

  • Lesson 5 • Scenic Painting Techniques

    Introduces paint techniques used to simulate materials, age surfaces, and create visual depth. Scenic painting transforms raw construction into believable environments.

Chapter 6See details

Set Decoration and Dressing

  • Lesson 1 • Layering and Composition in Dressing

    Applies visual composition principles to the arrangement of furniture, objects, and textiles. Layered dressing creates depth, tells character stories, and guides the viewer's eye.

  • Lesson 2 • Set Decorator and Dresser Roles

    Defines the working relationship between set designer, set decorator, and on-set dresser. Clear role boundaries prevent duplication and ensure cohesive visual execution.

  • Lesson 3 • Sourcing Furniture and Props

    Covers rental houses, auction markets, prop fabrication, and online sourcing for set dressing. Efficient sourcing balances visual quality, authenticity, and budget constraints.

  • Lesson 4 • Dressing for Camera and Lighting

    Adapts dressing choices to the specific demands of camera lenses, angles, and lighting setups. Collaboration with the director of photography ensures dressing reads correctly on screen.

  • Lesson 5 • Continuity and Set Dressing Records

    Establishes systems for maintaining set continuity across shooting days and multiple setups. Accurate records prevent costly continuity errors in editing.

Chapter 7See details

Budgeting and Production Management

  • Lesson 1 • Tracking Expenditure and Reporting

    Establishes systems for tracking spending, processing purchase orders, and reporting to producers. Transparent financial reporting builds trust and prevents budget surprises.

  • Lesson 2 • Value Engineering and Cost Saving

    Teaches strategies for maintaining design quality while reducing costs through smart material and method choices. Value engineering is a core professional skill in budget-constrained productions.

  • Lesson 3 • Scheduling the Art Department

    Covers creation of art department schedules aligned with the production shooting schedule. Proper scheduling ensures sets are ready before camera arrives.

  • Lesson 4 • Estimating and Bidding

    Teaches methods for estimating build costs, soliciting contractor bids, and evaluating quotes. Accurate estimating prevents budget overruns and supports producer confidence.

  • Lesson 5 • Art Department Budget Structure

    Breaks down the components of an art department budget, including construction, dressing, and labour. Understanding budget structure enables accurate cost planning from the first design draft.

Chapter 8See details

Advanced Design Strategies and Portfolio

  • Lesson 1 • Designing for Complex Productions

    Addresses multi-set productions, location-studio hybrids, and large-scale design challenges. Students develop strategies for managing design consistency across diverse environments.

  • Lesson 2 • Designing for Different Mediums

    Compares design requirements across theater, film, television, commercials, and live events. Each medium imposes unique spatial, technical, and budgetary constraints.

  • Lesson 3 • Building a Professional Portfolio

    Guides curation, presentation, and digital publication of a set design portfolio for industry use. A strong portfolio is the primary tool for securing professional employment.

  • Lesson 4 • Capstone Design Project

    Students execute a full design package for an assigned script, from concept through technical drawings. The capstone integrates all course competencies into a single assessed deliverable.

  • Lesson 5 • Collaboration and Creative Conflict

    Develops strategies for navigating creative disagreements with directors, producers, and collaborators. Professional conflict resolution protects design integrity and working relationships.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring set designers: eager to break into film or theater art departments professionally.

  • Theater volunteers: ready to formalise hands-on stagecraft experience into a recognised career.

  • Interior designers: looking to redirect spatial skills toward narrative-driven production environments.

  • Film students: wanting specialised art department training beyond general production coursework.

  • Career changers: drawn to creative industries and seeking a structured, portfolio-building entry point.

  • Prop makers and decorators: aiming to expand their role and take on full design responsibilities.

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