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Media Production Course
More than 2 million students worldwide

Media Production Course

Master every stage of media production, from script to screen. This course covers cinematography, sound design, editing, lighting, and production management in one comprehensive program. Whether you want to direct, produce, or work on set, you'll graduate with the hands-on skills and industry knowledge to compete professionally.

Dedika for businesses

What you will learn:

You'll learn how to develop original scripts, plan and manage full productions, and operate cameras and lighting equipment with confidence. The course covers audio recording and sound design, non-linear video editing, color grading, and motion graphics. You'll also explore digital and social media production, podcast workflows, and emerging technologies like AI tools and virtual production. On the business side, you'll build budgets, manage crews, and create a professional portfolio and showreel. By the end, you'll have the technical skills and production experience to work across film, broadcast, and digital media.

How you study in practice Media Production Course

How you practice Media Production Course

For companies that want to train their team

With Dedika for Business, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course content

8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Media Production

  • Lesson 1 • Production Roles and Team Structure

    Maps every crew position from executive producer to production assistant. Students connect role titles to specific deliverables and decision-making authority.

  • Lesson 2 • The Media Production Landscape

    Defines media production types—film, broadcast, digital, podcast—and their distinct workflows. Establishes shared vocabulary used throughout the course.

  • Lesson 3 • Budgeting and Scheduling Basics

    Covers cost categories, line-item budgets, and shoot-day scheduling fundamentals. Students draft a simple budget and one-liner schedule for a short project.

  • Lesson 4 • The Three-Phase Production Model

    Introduces pre-production, production, and post-production as distinct phases with unique goals. Students map tasks and milestones to each phase.

  • Lesson 5 • Legal and Ethical Foundations

    Addresses copyright, talent releases, location permits, and ethical storytelling standards. Students identify compliance requirements before any shoot begins.

Chapter 2See details

Screenwriting and Story Development

  • Lesson 1 • Story Structure and Narrative Arcs

    Examines three-act structure, hero's journey, and non-linear formats. Students apply a chosen structure to an original story concept.

  • Lesson 2 • Script Formatting Standards

    Covers industry-standard screenplay and teleplay formatting rules. Students format a scene correctly using professional screenwriting software.

  • Lesson 3 • Writing for Non-Fiction and Documentary

    Adapts narrative techniques to documentary treatments, outlines, and interview scripts. Students draft a documentary treatment for a real-world subject.

  • Lesson 4 • Script Revision and Coverage

    Teaches self-editing, peer feedback, and professional script coverage methods. Students revise a draft based on structured notes.

  • Lesson 5 • Character Development and Dialogue

    Builds techniques for creating dimensional characters and authentic dialogue. Students write character profiles and a dialogue-driven scene.

Chapter 3See details

Pre-Production Planning and Design

  • Lesson 1 • Casting and Talent Management

    Guides the casting process from audition design to contract basics. Students run a mock audition and evaluate performances against character requirements.

  • Lesson 2 • Script Breakdown and Scheduling

    Extracts all production elements from a script and organizes them into a shooting schedule. Students complete a breakdown sheet and a full shooting schedule.

  • Lesson 3 • Location Scouting and Management

    Covers scouting criteria, location agreements, and on-site logistics planning. Students scout and document two candidate locations for a scene.

  • Lesson 4 • Storyboarding and Shot Lists

    Translates script scenes into visual storyboards and detailed shot lists. Students produce a storyboard sequence and a matching shot list.

  • Lesson 5 • Production Design Fundamentals

    Introduces set design, props, wardrobe, and the visual language of production design. Students create a mood board and design brief for a scene.

Chapter 4See details

Camera Operation and Cinematography

  • Lesson 1 • Exposure and Color Science Basics

    Introduces waveforms, histograms, and log color profiles for controlled image capture. Students expose a scene in log and evaluate it using monitoring tools.

  • Lesson 2 • Shooting for Continuity

    Teaches the 180-degree rule, eyeline matching, and continuity coverage patterns. Students shoot a dialogue scene with full coverage and correct eyelines.

  • Lesson 3 • Camera Movement Techniques

    Covers handheld, dolly, gimbal, and crane movements and their narrative functions. Students execute three distinct movement types on a short sequence.

  • Lesson 4 • Camera Systems and Controls

    Explains sensor types, lens mounts, and core exposure controls. Students operate a camera manually and achieve correct exposure in varied lighting.

  • Lesson 5 • Composition and Framing Principles

    Applies rule of thirds, leading lines, depth, and headroom to narrative framing. Students compose and capture a series of intentional shots.

Chapter 5See details

Lighting Design and Technique

  • Lesson 1 • Lighting Equipment and Modifiers

    Surveys LED panels, tungsten, HMI, and fluorescent fixtures alongside modifiers. Students select and rig appropriate equipment for a given scene.

  • Lesson 2 • Principles of Light and Shadow

    Explains quality, direction, color temperature, and intensity as the four properties of light. Students identify these properties in reference images and live setups.

  • Lesson 3 • Exterior and Natural Light Control

    Addresses shooting in sunlight, overcast conditions, and mixed natural-artificial environments. Students use reflectors and diffusion to shape natural light on location.

  • Lesson 4 • Lighting for Mood and Genre

    Connects lighting choices to genre conventions—drama, horror, comedy, documentary. Students design a lighting plan that matches a specified genre and mood.

  • Lesson 5 • Core Lighting Setups

    Builds three-point, two-point, and single-source setups for interviews and narrative scenes. Students replicate each setup and evaluate the results.

Chapter 6See details

Audio Production and Sound Design

  • Lesson 1 • Fundamentals of Audio for Video

    Covers sample rate, bit depth, gain staging, and the signal chain from source to recorder. Students set levels and record clean dialogue in a controlled environment.

  • Lesson 2 • Sound Design and Music Integration

    Builds a sound design layer using foley, ambience, SFX, and licensed music. Students create a complete sound design for a one-minute scene.

  • Lesson 3 • Microphone Types and Placement

    Compares shotgun, lavalier, and condenser microphones and their optimal placement strategies. Students record the same scene with two microphone types and compare results.

  • Lesson 4 • Location Sound Recording

    Addresses noise management, room tone, and multi-track field recording workflows. Students record a location scene with a boom and a lavalier simultaneously.

  • Lesson 5 • Dialogue Editing and Cleanup

    Teaches noise reduction, de-clicking, breath removal, and dialogue assembly in a DAW. Students edit a raw dialogue track to broadcast-ready quality.

Chapter 7See details

Video Editing and Post-Production

  • Lesson 1 • Non-Linear Editing Workflow

    Establishes project setup, media ingest, bin organization, and proxy workflows. Students configure a project and organize footage for an efficient edit.

  • Lesson 2 • Color Correction and Grading

    Applies primary and secondary color correction, then creative grading to establish a visual look. Students grade a scene from log footage to a finished look.

  • Lesson 3 • Assembling and Refining the Cut

    Covers rough cut assembly, pacing, trimming, and the principles of continuity editing. Students cut a scene from selects to a polished picture lock.

  • Lesson 4 • Export, Delivery, and Archiving

    Covers codec selection, platform-specific export settings, and project archiving best practices. Students export a project for three different delivery destinations.

  • Lesson 5 • Titles, Graphics, and Motion

    Creates lower thirds, title cards, and basic motion graphics within the editing timeline. Students design and animate a title sequence for their project.

Chapter 8See details

Production Management and Strategy

  • Lesson 1 • Post-Production Supervision

    Oversees editorial timelines, vendor coordination, and quality control through final delivery. Students build a post-production schedule and a QC checklist.

  • Lesson 2 • Advanced Budgeting and Finance

    Builds detailed production budgets, cash-flow projections, and cost-reporting systems. Students create a complete budget with actuals tracking for a short production.

  • Lesson 3 • Managing Crew and Talent on Set

    Covers call sheets, daily reports, conflict resolution, and on-set communication hierarchies. Students produce a call sheet and run a mock production meeting.

  • Lesson 4 • Distribution and Audience Strategy

    Connects production decisions to distribution channels, audience targeting, and release strategies. Students draft a distribution plan for a completed short project.

  • Lesson 5 • Risk Management and Contingency Planning

    Identifies production risks and builds mitigation plans, insurance requirements, and safety protocols. Students complete a risk register for a location shoot.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring filmmakers: ready to turn creative ideas into real productions.

  • Marketing professionals: wanting to produce compelling video content independently.

  • Journalists and reporters: looking to expand into multimedia and documentary storytelling.

  • Hobbyist videographers: eager to move beyond casual shooting into structured production.

  • Career changers: drawn to the entertainment or digital media industry from other fields.

  • Recent graduates: seeking hands-on production skills to enter a competitive job market.

What our students say

Your classes are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of my interest without needing to switch platforms... I thank you for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can switch chapters and skip content I don't need.
Mariana Ferres
Mariana FerresPhotography Student
I like the content and the presentation style and video transcription, which speeds up the process!
Luciana Alvarenga
Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
André Felipe
André FelipePrompt Engineering Student

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