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Set Design Course
More than 2 million students worldwide

Set Design Course

4.4

Master every stage of set design — from reading a script to delivering a finished scenic package — with training that covers theater, film, and television. You'll develop technical drafting skills, build scale models, manage production budgets, and create a professional portfolio ready for real industry opportunities.

Dedika for businesses

What you will learn:

This course takes you through the complete set design process, starting with design principles, industry vocabulary, and the history of scenic practice. You will learn to analyze scripts, collaborate with directors, and produce technical drawings using both manual drafting and CAD software. You will build physical and digital scale models, select scenic materials, and apply painting and finishing techniques to full-size surfaces. The curriculum also covers budgeting, scheduling, vendor sourcing, and production management so you can run a scenic build from start to finish. By the end, you will have a curated professional portfolio and the skills to work across theater, film, and television productions.

How you study in practice Set Design Course

How you practice Set Design Course

For companies that want to train their team

With Dedika for Business, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course content

8 Chapters • 36 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Set Design

  • Lesson 1 • Roles Within the Design Team

    Map every position from production designer to scenic painter and define their interdependencies. Understanding team structure clarifies individual accountability and workflow.

  • Lesson 2 • Core Vocabulary and Concepts

    Master the terminology used by directors, producers, and construction crews. Precise language accelerates collaboration and prevents costly miscommunication on set.

  • Lesson 3 • Design Principles Applied to Space

    Apply visual art principles—balance, rhythm, focal point, and scale—to three-dimensional performance spaces. These principles guide every aesthetic decision throughout a production.

  • Lesson 4 • History and Evolution of Set Design

    Trace set design from ancient Greek theaters through contemporary immersive environments. Context establishes why current conventions exist and how they continue to evolve.

Chapter 2See details

Script Analysis for Designers

  • Lesson 1 • Collaborating with the Director

    Align design intentions with the director's vision through structured conversations and concept presentations. Early alignment reduces costly revisions during construction.

  • Lesson 2 • Scene and Location Breakdown

    Systematically catalog every location, time of day, and environmental condition across all scenes. A complete breakdown prevents design omissions and supports accurate budgeting.

  • Lesson 3 • Establishing Mood and Tone

    Translate a script's emotional arc into spatial and atmospheric design language. Mood boards and reference images created here guide all later material and color choices.

  • Lesson 4 • Reading a Script as a Designer

    Distinguish between explicit stage directions and implied spatial needs embedded in dialogue. This analytical lens transforms a literary document into a spatial brief.

Chapter 3See details

Drafting and Technical Drawing

  • Lesson 1 • Ground Plans and Sightline Analysis

    Draft ground plans that optimize actor movement and audience sightlines for a given venue. Sightline analysis ensures every seat receives an unobstructed view of key action.

  • Lesson 2 • Manual Drafting Fundamentals

    Use drafting tools to draw plans, elevations, and sections at standard scales. Manual drafting builds spatial reasoning that underpins all digital drafting work.

  • Lesson 3 • Sections, Details, and Construction Drawings

    Create cross-sections and detail drawings that specify joinery, materials, and structural connections. These documents are the primary communication tool between designer and scenic carpenter.

  • Lesson 4 • Assembling a Complete Drafting Package

    Organize all drawings into a coherent, numbered package ready for bid and construction. A well-structured package reduces contractor questions and accelerates build schedules.

  • Lesson 5 • Introduction to CAD Software

    Navigate a professional CAD environment to create and edit 2D scenic drawings. Digital drafting enables rapid iteration and precise dimension control.

Chapter 4See details

Scale Models and Scenic Visualization

  • Lesson 1 • Rendering and Presentation Visuals

    Produce photorealistic renders and presentation boards that communicate the finished design to producers and directors. High-quality visuals accelerate approval and reduce interpretive errors.

  • Lesson 2 • Painting and Finishing Scale Models

    Apply color, texture, and finish to a scale model to simulate final scenic materials. Finished models serve as the primary visual reference for the entire production team.

  • Lesson 3 • 3D Modeling Software for Set Design

    Build a digital set model using industry-standard 3D software to explore spatial options quickly. Digital models allow camera angle previsualization unavailable in physical models.

  • Lesson 4 • White Model Construction Techniques

    Construct accurate white card models at standard scales using professional model-making tools. White models reveal spatial relationships and structural logic before any finish decisions are made.

Chapter 5See details

Materials, Construction, and Scenic Techniques

  • Lesson 1 • Scenic Safety and Load Calculations

    Apply load-bearing principles and safety standards to all scenic structures that support performers or crew. Safety compliance protects lives and prevents production shutdowns.

  • Lesson 2 • Soft Goods and Drapery

    Specify and hang theatrical soft goods including legs, borders, cycloramas, and scrims. Soft goods define playing space and control light spill with minimal construction cost.

  • Lesson 3 • Scenic Materials Overview

    Compare wood, metal, foam, fabric, and composite materials by weight, cost, and visual effect. Material selection directly affects budget, build time, and structural safety.

  • Lesson 4 • Scenic Painting Techniques

    Execute base coating, texture, faux finish, and trompe l'oeil techniques on scenic surfaces. Painting transforms raw construction into convincing architectural and natural environments.

  • Lesson 5 • Scenic Carpentry and Framing

    Apply standard framing techniques to build flats, platforms, and stairs that meet load and safety requirements. Structural competence allows designers to specify buildable, safe scenic elements.

Chapter 6See details

Color, Texture, and Scenic Painting

  • Lesson 1 • Color Theory for Scenic Designers

    Apply color wheel relationships, temperature, and value contrast to create spatial depth and emotional resonance. Color decisions must account for stage lighting's transformative effect on pigment.

  • Lesson 2 • Developing a Color Palette

    Build a cohesive production palette that unifies all sets, props, and costumes within a single visual world. A documented palette prevents inconsistency across departments and build phases.

  • Lesson 3 • Executing Large-Scale Scenic Painting

    Scale up studio techniques to full-size scenic surfaces using grids, projectors, and long-handled tools. Large-scale execution requires planning paint sequences to avoid overworking wet surfaces.

  • Lesson 4 • Texture and Surface Finish Selection

    Choose surface textures that read correctly at performance distance and respond predictably to lighting angles. Texture selection balances visual richness with budget and build-time constraints.

Chapter 7See details

Budgeting, Scheduling, and Production Management

  • Lesson 1 • Sourcing Materials and Vendors

    Identify and evaluate suppliers, rental houses, and fabricators to achieve design goals within budget. Strong vendor relationships provide access to materials and services unavailable through standard channels.

  • Lesson 2 • Managing Changes and Cost Overruns

    Implement change-order processes that document scope changes and their budget impact in real time. Proactive change management prevents end-of-production financial disputes.

  • Lesson 3 • Load-In, Tech, and Strike Management

    Coordinate the physical installation, technical rehearsal adjustments, and post-show strike of all scenic elements. Efficient load-in and strike protect the budget and the venue relationship.

  • Lesson 4 • Reading and Writing Scenic Budgets

    Break down a scenic design into line-item costs covering materials, labor, rentals, and contingency. Accurate budgeting is the primary skill that determines a designer's professional viability.

  • Lesson 5 • Build Scheduling and Milestone Planning

    Construct a backward-planned build schedule anchored to the first technical rehearsal date. Milestone planning identifies critical-path tasks that, if delayed, push the entire production.

Chapter 8See details

Advanced Design Strategies and Portfolio

  • Lesson 1 • Capstone Production Design Project

    Execute a complete design package—script analysis through final renders—for a faculty-assigned production. The capstone integrates every competency developed across all prior chapters.

  • Lesson 2 • Building a Professional Portfolio

    Curate drawings, models, renders, and production photos into a portfolio that demonstrates range and process. A strong portfolio is the primary tool for securing professional design commissions.

  • Lesson 3 • Designing for Multiple Venues and Formats

    Adapt a single design concept to thrust, arena, black box, and proscenium configurations. Venue flexibility is a competitive advantage that expands a designer's range of employment.

  • Lesson 4 • Concept Development for Complex Productions

    Develop a unified design concept for a production with ten or more distinct locations. Conceptual coherence across many sets distinguishes sophisticated design from mere decoration.

  • Lesson 5 • Integrating Projection and Media Design

    Incorporate projection surfaces, LED walls, and interactive media into scenic architecture. Media integration requires early coordination with projection designers to avoid structural conflicts.

Certification

Your valid completion certificate

This course is for you:

  • Theater students eager to turn spatial instincts into professional design skills.

  • Graphic designers drawn to three-dimensional storytelling in live performance.

  • Film production assistants ready to step into an art department design role.

  • Architecture graduates curious about applying spatial skills to narrative environments.

  • Community theater volunteers wanting to lead scenic design with real confidence.

  • Career changers from interior design seeking work in entertainment production.

What our students say

Your classes are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of my interest without needing to switch platforms... I thank you for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can switch chapters and skip content I don't need.
Mariana Ferres
Mariana FerresPhotography Student
I like the content and the presentation style and video transcription, which speeds up the process!
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Luciana AlvarengaNail Design Student
The platform is fast, simple to use. The diversity of content and complementary videos really help with learning.
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André FelipePrompt Engineering Student

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