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Art Restoration Course
More than 2 million students worldwide

Art Restoration Course

Master the full spectrum of art restoration practice, from materials science and ethical frameworks to hands-on cleaning, structural repair, and aesthetic reintegration. This course equips you with the technical knowledge and professional skills that museums, private collectors, and conservation studios demand. Whether you are entering the field or deepening existing expertise, you will graduate ready to handle real restoration projects with confidence.

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What you will learn:

Study the history and ethics of conservation and the international standards that guide professional decisions. Analyse chemical and physical deterioration of paintings, sculptures, works on paper, and photographs. Practise systematic condition assessment, produce precise reports, and select compatible treatment materials. Hands-on sections cover controlled cleaning, structural stabilisation, and reversible inpainting for various artwork types. Explore preventive conservation, digital documentation tools, provenance research, and cultural property law. Develop business and communication skills to manage projects, write treatment proposals, and collaborate effectively with clients and institutions.

How you study in practice Art Restoration Course

How you practise Art Restoration Course

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Course content

8 Chapters • 38 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Art Restoration

  • Lesson 1 • Core Ethics and Professional Standards

    Covers reversibility, minimal intervention, and authenticity principles. Connects ethical frameworks to daily decision-making in restoration work.

  • Lesson 2 • History of Art Restoration Practice

    Traces restoration from ancient repairs to modern conservation science. Establishes historical context that informs current ethical and technical standards.

  • Lesson 3 • Roles in the Conservation Field

    Defines conservator, restorer, curator, and scientist roles and their collaboration. Clarifies professional boundaries students will navigate in real projects.

  • Lesson 4 • Overview of Artwork Categories

    Introduces paintings, sculptures, works on paper, and mixed-media objects. Provides a taxonomy students use throughout the course to organise techniques.

Chapter 2See details

Materials Science for Restorers

  • Lesson 1 • Organic and Inorganic Artistic Materials

    Examines pigments, binders, supports, and coatings at a molecular level. Grounds students in material composition before studying deterioration mechanisms.

  • Lesson 2 • Compatibility of Treatment Materials

    Evaluates adhesives, consolidants, and fill materials for compatibility with originals. Prepares students to make evidence-based material selections.

  • Lesson 3 • Reading Material Safety Data

    Teaches interpretation of safety data sheets and hazard classifications. Ensures students handle restoration chemicals safely and legally.

  • Lesson 4 • Environmental Factors in Deterioration

    Covers humidity, temperature, light, and pollutants as deterioration drivers. Links environmental control to preventive conservation strategies.

  • Lesson 5 • Mechanisms of Deterioration

    Analyses chemical, biological, and mechanical degradation pathways. Enables students to diagnose damage causes before selecting treatments.

Chapter 3See details

Examination and Condition Assessment

  • Lesson 1 • Risk Assessment and Treatment Priority

    Evaluates urgency of deterioration and ranks treatment interventions. Bridges condition assessment to actionable, prioritised treatment proposals.

  • Lesson 2 • Condition Mapping and Documentation

    Teaches systematic mapping of damage types onto scaled diagrams. Produces standardised records essential for treatment planning and future reference.

  • Lesson 3 • Visual Examination Techniques

    Introduces raking light, transmitted light, and UV fluorescence examination. Establishes the visual toolkit used before any analytical instrument is applied.

  • Lesson 4 • Scientific Analytical Methods

    Covers X-ray radiography, X-ray fluorescence, and spectroscopic techniques. Connects scientific data to material identification and treatment planning.

Chapter 4See details

Preventive Conservation Strategies

  • Lesson 1 • Lighting Design for Collections

    Covers lux levels, UV filtration, and LED lighting selection for artworks. Enables students to specify lighting that balances visibility and preservation.

  • Lesson 2 • Climate Control and Monitoring

    Establishes target ranges for humidity and temperature in storage and display. Connects climate data to material stability outcomes studied in Chapter 2.

  • Lesson 3 • Safe Handling and Packing

    Teaches correct lifting, carrying, and packing techniques for various artwork types. Prevents mechanical damage during routine movement and loan transport.

  • Lesson 4 • Integrated Pest Management

    Introduces monitoring, quarantine, and non-chemical pest control for collections. Protects organic materials from biological damage without harmful chemical exposure.

  • Lesson 5 • Disaster Preparedness and Response

    Develops emergency plans for fire, flood, and theft affecting collections. Prepares students to lead rapid salvage operations that minimise irreversible loss.

Chapter 5See details

Cleaning and Surface Treatment

  • Lesson 1 • Aqueous and Solvent Cleaning Systems

    Covers water-based, surfactant, and organic solvent systems for surface cleaning. Teaches solubility parameter theory to guide solvent selection for each substrate.

  • Lesson 2 • Mechanical Cleaning Methods

    Introduces scalpel, swab, and micro-abrasive techniques for surface deposits. Complements chemical methods with physical approaches for stubborn or localised soiling.

  • Lesson 3 • Cleaning Works on Paper and Textiles

    Adapts cleaning methods for fragile paper, parchment, and textile substrates. Addresses unique risks of water sensitivity and fibre damage in these materials.

  • Lesson 4 • Varnish Removal and Thinning

    Addresses yellowed and discoloured varnish layers on paintings and objects. Applies solubility testing and controlled thinning to restore optical clarity.

  • Lesson 5 • Principles of Controlled Cleaning

    Defines cleaning goals, selectivity, and reversibility before any solvent is applied. Anchors practical cleaning work in the ethical framework from Chapter 1.

Chapter 6See details

Structural Stabilisation and Repair

  • Lesson 1 • Works on Paper: Structural Repair

    Covers tear mending, backing removal, and paper support with Japanese tissue. Applies minimal intervention principles to fragile paper and parchment objects.

  • Lesson 2 • Canvas and Panel Support Treatment

    Addresses tears, deformations, and structural weakness in painting supports. Teaches lining, strip-lining, and panel stabilisation as reversible interventions.

  • Lesson 3 • Sculpture and Object Stabilisation

    Addresses joins, breaks, and structural instability in three-dimensional objects. Extends consolidation and adhesive skills to ceramics, stone, metal, and wood.

  • Lesson 4 • Documentation of Structural Treatments

    Records all structural interventions with photographs, diagrams, and material lists. Creates the treatment record required for future conservators and institutional archives.

  • Lesson 5 • Consolidation of Flaking Paint Layers

    Covers adhesive selection and application for lifting and flaking paint. Builds on material compatibility knowledge from Chapter 2 to prevent further loss.

Chapter 7See details

Inpainting and Aesthetic Reintegration

  • Lesson 1 • Inpainting Media and Reversibility

    Evaluates watercolour, gouache, and conservation-grade paints for inpainting. Prioritises reversibility and ageing stability in media selection.

  • Lesson 2 • Inpainting Techniques and Strategies

    Teaches tratteggio, pointillism, and neutral toning as distinguishable inpainting methods. Connects technique choice to ethical visibility standards and artwork context.

  • Lesson 3 • Fill Preparation and Levelling

    Covers fill material selection, application, and levelling to match surrounding surface. Prepares a stable, correctly textured ground for subsequent inpainting.

  • Lesson 4 • Final Varnishing and Surface Unification

    Applies final varnish layers to unify gloss and protect completed inpainting. Concludes the aesthetic reintegration process with a reversible protective coating.

  • Lesson 5 • Colour Matching and Optical Mixing

    Develops colour perception skills for accurate matching under varied light sources. Applies colour theory to achieve visually coherent reintegration across loss areas.

Chapter 8See details

Treatment Planning and Project Management

  • Lesson 1 • Project Intake and Object Registration

    Covers intake forms, object registration, and chain-of-custody documentation. Establishes administrative controls that protect both the artwork and the restorer.

  • Lesson 2 • Quality Control and Peer Review

    Introduces internal review checkpoints and peer critique during treatment. Maintains professional standards and catches errors before they become irreversible.

  • Lesson 3 • Final Reporting and Object Return

    Produces a complete treatment record and prepares the object for safe return. Closes the project with documentation that serves future conservators and owners.

  • Lesson 4 • Writing a Treatment Proposal

    Structures a formal proposal covering condition, rationale, methods, and timeline. Synthesises examination, materials, and ethics knowledge into a client-facing document.

  • Lesson 5 • Scheduling and Resource Allocation

    Applies project management tools to balance multiple restoration projects. Ensures efficient use of studio time, materials, and specialist consultants.

Certification

Your valid completion certificate

This course is for you:

  • Art history graduates: eager to move from theory into hands-on conservation work.

  • Museum volunteers: ready to formalise their passion with professional-grade restoration skills.

  • Antique dealers: wanting to assess and stabilise damaged inventory with informed confidence.

  • Studio artists: curious about how ageing materials behave and how damage gets reversed.

  • Career changers: drawn to preservation work after years in unrelated professional fields.

  • Private collectors: determined to make responsible decisions about caring for their artworks.

What our students say

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...
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Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
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