
TV Writing Course
Learn to write for television the way working professionals do — from breaking story in the writers' room to delivering a polished pilot script. This course covers every stage of the TV writing process, including character creation, episode structure, season arc planning, and industry pitching. Whether you're writing your first spec or developing an original series, you'll finish with the scripts, tools, and industry knowledge to compete.
What you will learn:
This course teaches you the complete craft of professional television writing, starting with dramatic structure and genre conventions and moving through character development, episode outlining, and full pilot drafting. You will learn how to build series-sustaining characters with distinct voices, design season-long arcs, and write dialogue driven by subtext and conflict. You will also produce a spec script for an existing show and develop a series bible for your original concept. The final chapters prepare you for the industry itself, covering pitch meetings, writers' room culture, staffing strategy, and the evolving role of AI tools in the modern writing workflow.
How you study in practice TV Writing Course
How you practise TV Writing Course
For companies looking to train their teams
With Dedika for businesses, the course includes exercises and examples tailored to your company and its specific needs.
Course content
8 Chapters • 37 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Television Storytelling
Foundations of Television Storytelling
Lesson 1 • TV Story Vocabulary
Master the professional terminology used in writers' rooms and pitch meetings. Precise language accelerates collaboration and script notes.
Lesson 2 • The TV Medium and Its Demands
Examine how broadcast schedules, episode length, and audience habits shape story. Establishes why TV writing requires distinct instincts from other narrative forms.
Lesson 3 • Core Dramatic Principles
Apply conflict, stakes, and want-vs.-need to TV scenes. These principles underpin every structural decision made throughout the course.
Lesson 4 • Genres and Their Conventions
Identify the structural and tonal rules governing drama, comedy, procedural, and hybrid genres. Genre literacy prevents costly missteps in spec and original work.
Chapter 2HideHide detailsSee detailsCharacter Creation and Development
Character Creation and Development
Lesson 1 • Voice, Dialogue, and Distinction
Give each character a unique speech pattern, vocabulary, and rhythm. Distinct voice prevents dialogue from becoming interchangeable and signals character instantly.
Lesson 2 • Ensemble and Supporting Characters
Design supporting characters who challenge, contrast, and complement the lead. Ensemble dynamics generate the ongoing conflict that sustains a series.
Lesson 3 • Building a Protagonist
Define the lead character's wound, desire, and misbelief to create durable dramatic potential. A strong protagonist anchors every episode and season arc.
Lesson 4 • The Character Bible
Compile a professional character bible documenting history, psychology, and arc potential. This document guides consistency across a writing staff.
Lesson 5 • Antagonists and Obstacles
Craft antagonists with coherent motivation rather than pure villainy. Credible opposition elevates the protagonist's journey and deepens theme.
Chapter 3HideHide detailsSee detailsEpisode Structure and Outlining
Episode Structure and Outlining
Lesson 1 • The One-Hour Drama Structure
Break down the four- and five-act structures used in hour-long drama. Understanding act function prevents structural collapse in the draft.
Lesson 2 • The Half-Hour Comedy Structure
Apply two- and three-act comedy frameworks to generate comedic momentum. Comedy structure differs from drama in pacing, scene length, and joke architecture.
Lesson 3 • Scene Cards and Beat Sheets
Use index cards and beat sheets to map episode logic before writing prose. These tools expose structural problems cheaply, before drafting begins.
Lesson 4 • Producing a Professional Outline
Format a network-ready episode outline with scene descriptions and act breaks. The outline is the primary deliverable in many professional development processes.
Lesson 5 • Weaving Multiple Storylines
Intercut A-, B-, and C-stories to create thematic resonance and pacing variety. Skilled multi-story weaving is a core writers' room competency.
Chapter 4HideHide detailsSee detailsWriting the Pilot Script
Writing the Pilot Script
Lesson 1 • What a Pilot Must Accomplish
Identify the six obligations of a pilot: world, tone, character, conflict, theme, and promise. Every scene must serve at least one of these functions.
Lesson 2 • Completing and Self-Editing the Draft
Finish a full pilot draft and apply a structured self-editing pass for structure, dialogue, and pacing. Revision is where professional quality is achieved.
Lesson 3 • Professional Script Formatting
Apply industry-standard formatting for sluglines, action lines, and dialogue. Correct format signals professionalism and ensures accurate page-to-screen timing.
Lesson 4 • The Opening Pages
Craft an opening sequence that hooks the reader within the first five pages. The cold open or teaser sets tone and earns continued reading.
Lesson 5 • Scene Writing Craft
Write scenes that enter late, exit early, and advance story or character in every line. Scene discipline is the difference between a tight pilot and a bloated one.
Chapter 5HideHide detailsSee detailsSeason Arc and Long-Form Planning
Season Arc and Long-Form Planning
Lesson 1 • The Series Bible
Compile a complete series bible covering premise, world, characters, and season arc. The bible is the primary document used to sell and staff a show.
Lesson 2 • Episode Sequencing and Pacing
Arrange episodes to control revelation, tension, and audience investment across a run. Strategic sequencing prevents the mid-season sag common in weak series.
Lesson 3 • Multi-Season Thinking
Plan character and story potential beyond season one without overcommitting. Networks and streamers expect writers to articulate a multi-season vision.
Lesson 4 • Anatomy of a Season Arc
Map the beginning, middle, and end of a season as a single macro-story. Season-level thinking prevents episodic drift and ensures cumulative impact.
Chapter 6HideHide detailsSee detailsDialogue Mastery and Scene Craft
Dialogue Mastery and Scene Craft
Lesson 1 • Exposition Without Exposition
Deliver necessary backstory and world information through conflict and character behaviour. Clumsy exposition breaks immersion and signals amateur writing.
Lesson 2 • Advanced Scene Construction
Build scenes with clear turning points, escalating beats, and a definitive end value change. Mastery of scene construction is the mark of a professional writer.
Lesson 3 • Subtext and Indirect Communication
Write scenes where characters pursue hidden agendas beneath surface conversation. Subtext creates dramatic irony and rewards attentive viewers.
Lesson 4 • Rhythm, Pace, and Silence
Control the tempo of scenes through sentence length, pause, and interruption. Rhythmic variety keeps dialogue from becoming monotonous on the page and screen.
Lesson 5 • Conflict-Driven Dialogue
Structure every scene around a negotiation of power, information, or desire. Conflict-driven dialogue eliminates on-the-nose exposition and passive scenes.
Chapter 7HideHide detailsSee detailsWriting the Spec Script
Writing the Spec Script
Lesson 1 • Choosing the Right Show to Spec
Select a series that showcases your strengths and targets your desired market. The wrong spec choice signals poor industry awareness to potential employers.
Lesson 2 • Drafting and Refining the Spec
Write and revise the spec with attention to voice fidelity, structure, and pacing. Multiple revision passes are required before the spec is submission-ready.
Lesson 3 • Reverse-Engineering an Existing Show
Analyse produced episodes to extract structural templates, character voice, and tonal rules. Reverse engineering prevents the most common spec failure: writing a different show.
Lesson 4 • Generating a Spec Story
Develop a story that fits the show's world while showcasing your original voice. The spec must feel like the show while demonstrating what you bring to it.
Chapter 8HideHide detailsSee detailsPitching, Staffing, and the Industry
Pitching, Staffing, and the Industry
Lesson 1 • The Writers' Room
Understand the hierarchy, culture, and daily workflow of a professional writers' room. Room skills are distinct from solo writing skills and must be developed separately.
Lesson 2 • Staffing, Representation, and Career Strategy
Map the path from emerging writer to staffed writer through representation, fellowships, and networking. Strategic career management accelerates entry into the industry.
Lesson 3 • The Formal Pitch Meeting
Structure and deliver a full series pitch to executives and development teams. The pitch meeting is a performance that must convey passion, clarity, and commercial viability.
Lesson 4 • Protecting and Registering Your Work
Understand the professional practices for protecting original scripts and concepts. Proper registration and documentation safeguard creative work before submission.
Lesson 5 • The Logline and Elevator Pitch
Compress a series concept into a single compelling logline and a two-minute verbal pitch. Clarity and specificity in the logline determine whether a meeting is granted.
Your valid completion certificate
This course is for you:
Aspiring TV writer: ready to move beyond ideas and write actual scripts.
Fiction novelist: wants to adapt long-form storytelling instincts to episodic format.
Screenwriter: has film experience but needs TV-specific structure and vocabulary.
Career changer: drawn to entertainment and serious about breaking in professionally.
Content creator: produces video narratives and wants to level up to scripted work.
Theater playwright: understands dramatic craft but is new to the television medium.
What our students say
Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...

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