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Luthiery Course
More than 2 million students worldwide

Luthiery Course

Build a complete acoustic guitar from raw wood to a fully playable, professionally finished instrument. This course covers every stage of lutherie — from tonewood selection and body assembly to fretwork, neck fitting, and final setup. Whether you're a woodworker ready to go deeper or a guitarist who wants to build your own instrument, this is where craftsmanship meets acoustic science.

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What you will learn:

You'll start with wood science, shop safety, and hand-tool technique, then move through every phase of acoustic guitar construction. You'll learn how to bend sides, brace and close a guitar body, carve a neck, install frets, and fit a bridge with compensated saddle. The course also covers nitrocellulose finishing, final setup, and playability adjustment. Supplementary modules address classical guitar construction, electric guitar building, decorative inlay, instrument repair, advanced acoustic voicing, and business skills for running a lutherie practice. By the end, you'll have the knowledge and hands-on technique to build guitars that meet professional standards.

How you study in practice Luthiery Course

How you practice Luthiery Course

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Course Content

8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Introduction to Luthiery and Wood Science

  • Lesson 1 • History and Traditions of Instrument Making

    Survey the evolution of stringed instrument construction from early workshops to modern practices. Establishes cultural and technical context for all subsequent building decisions.

  • Lesson 2 • Tonewood Selection and Grading

    Teaches visual and tap-tone evaluation of spruce, cedar, mahogany, rosewood, and maple. Students grade raw billets and match tops to backs for balanced acoustic response.

  • Lesson 3 • Workshop Safety and Tool Orientation

    Covers personal protective equipment, dust management, and safe machine operation. Ensures students can work independently without injury before handling any tools.

  • Lesson 4 • Reading Plans and Technical Drawings

    Introduces blueprint conventions, scale drawings, and measurement systems used in lutherie. Students transfer dimensions accurately from plans to workpieces throughout the course.

  • Lesson 5 • Wood Anatomy and Properties

    Examines cellular structure, grain patterns, and moisture content as they relate to acoustic performance. Provides the scientific basis for all tonewood selection choices.

Chapter 2See details

Hand Tools and Fundamental Techniques

  • Lesson 1 • Measuring and Layout Precision

    Establishes habits for accurate marking, squaring, and verification at every build stage. Precision layout prevents compounding errors in later structural work.

  • Lesson 2 • Sharpening and Tool Maintenance

    Covers flattening stones, establishing bevels, and honing edges to a mirror finish. Sharp tools are prerequisite to clean cuts in all subsequent chapters.

  • Lesson 3 • Rasps, Files, and Scrapers

    Covers aggressive stock removal with rasps and fine surface refinement with card scrapers. These tools bridge machine work and final finishing throughout the build.

  • Lesson 4 • Chisels, Gouges, and Carving Tools

    Introduces controlled paring, mortising, and relief carving with bench and carving chisels. Skills apply directly to neck mortises, binding channels, and brace shaping.

  • Lesson 5 • Hand Planes: Setup and Use

    Teaches blade adjustment, mouth setting, and planing technique for jointing, thicknessing, and smoothing. Directly applied to preparing tops, backs, and braces.

Chapter 3See details

Acoustic Principles and Instrument Design

  • Lesson 1 • Scale Length and String Tension

    Covers the relationship between scale length, string gauge, and tension on the instrument structure. Students calculate scale lengths and understand their effect on playability and tone.

  • Lesson 2 • Neck Geometry and Playability

    Examines neck angle, relief, action height, and nut width as interdependent playability variables. Students calculate neck angles and set target action specifications before building.

  • Lesson 3 • Vibration Physics for Luthiers

    Explains resonance, modes, and frequency response in plate and air systems. Provides the theoretical framework for bracing and graduation decisions made in later chapters.

  • Lesson 4 • Body Shape, Size, and Acoustic Response

    Analyzes how body depth, waist width, and bout proportions affect volume and frequency balance. Students evaluate existing designs and draft modified body templates.

  • Lesson 5 • Bracing Systems and Their Functions

    Compares X-brace, ladder, fan, and lattice systems in terms of stiffness, mass, and tonal character. Prepares students to select and modify bracing patterns in the build chapters.

Chapter 4See details

Building the Guitar Body

  • Lesson 1 • Closing the Box

    Glues the top and back to the rim, completing the acoustic chamber. Alignment, clamping pressure, and glue squeeze-out management are critical at this irreversible stage.

  • Lesson 2 • Bending Sides to Shape

    Teaches heat-bending with a bending iron and mold to achieve accurate waist and bout curves. Properly bent sides ensure the body mold fits tightly and the rim is symmetrical.

  • Lesson 3 • Bracing the Soundboard

    Shapes, fits, and glues X-braces, tone bars, and bridge plate to the top. Brace geometry and mass directly determine the instrument's tonal voice.

  • Lesson 4 • Kerfing, Linings, and Rim Assembly

    Installs kerfed linings to create gluing surfaces for top and back attachment. Proper lining installation determines the structural integrity of the entire body.

  • Lesson 5 • Binding and Purfling Installation

    Routes binding channels and installs plastic, wood, or herringbone binding and purfling. Binding protects plate edges and defines the instrument's visual character.

  • Lesson 6 • Preparing and Joining the Top

    Covers bookmatching, edge jointing, and gluing top halves to a seamless centerline joint. A perfect glue joint is the structural and aesthetic foundation of the soundboard.

Chapter 5See details

Neck Construction and Fitting

  • Lesson 1 • Carving the Neck Profile

    Shapes the back of the neck from a C, D, or V profile using rasps, spokeshaves, and scrapers. Profile consistency along the full length determines playing comfort.

  • Lesson 2 • Neck Blank Preparation

    Selects, orients, and dimensions mahogany or maple neck blanks for maximum stiffness. Correct grain orientation prevents warping and ensures long-term neck stability.

  • Lesson 3 • Truss Rod Channel and Installation

    Routes a precise channel and installs a single-action or double-action truss rod. Correct rod placement is essential for effective neck relief adjustment after stringing.

  • Lesson 4 • Headstock Shaping and Tuner Layout

    Shapes the headstock outline, drills tuner holes, and veneers the face for aesthetics. Tuner hole spacing must match the chosen machine head footprint precisely.

  • Lesson 5 • Dovetail Joint and Neck Setting

    Cuts and fits a traditional dovetail mortise and tenon for precise neck angle and alignment. Correct neck set is the single most critical factor in final action and playability.

Chapter 6See details

Fingerboard, Frets, and Nut

  • Lesson 1 • Fret Slot Calculation and Cutting

    Calculates fret positions using the 17.817 rule and cuts slots to precise depth and width. Slot accuracy directly determines intonation across the entire fretboard.

  • Lesson 2 • Fret Wire Selection and Installation

    Covers fretwire alloys, crown widths, and pressing vs. hammering installation methods. Proper seating eliminates high frets and minimizes leveling work.

  • Lesson 3 • Fingerboard Preparation

    Thicknesses, tapers, and radiuses the fingerboard blank before slotting. Accurate taper and radius are prerequisites for consistent fret seating and string action.

  • Lesson 4 • Fret Leveling, Crowning, and Polishing

    Levels frets with a beam, recrowned with a file, and polishes to a mirror finish. Level frets eliminate buzz and are essential before nut and saddle setup.

  • Lesson 5 • Nut Slotting and Fitting

    Shapes, slots, and fits a bone or synthetic nut to precise string height and spacing. The nut governs open-string action and is critical to tuning stability.

Chapter 7See details

Bridge Making and Saddle Setup

  • Lesson 1 • Intonation Compensation and Setup

    Applies string-specific compensation offsets to the saddle to achieve accurate intonation at the 12th fret. Compensation accounts for string stiffness and action height variables.

  • Lesson 2 • Saddle Blank Shaping

    Fits a bone saddle blank to the slot and shapes the top radius to match the fingerboard. Saddle height sets the action and must be calculated before any material is removed.

  • Lesson 3 • Bridge Plate Fitting and Gluing

    Fits the bridge footprint to the curved top and glues it with precise alignment to the centerline. Misalignment at this stage permanently affects intonation and string spacing.

  • Lesson 4 • Bridge Blank Preparation

    Selects and dimensions rosewood or ebony bridge blanks with correct grain orientation. Grain direction affects bridge stiffness and long-term resistance to rotation under string tension.

Chapter 8See details

Finishing and Final Setup

  • Lesson 1 • Nitrocellulose Lacquer Application

    Covers spray technique, coat scheduling, and avoiding common defects with nitrocellulose lacquer. Nitro remains the industry standard for acoustic instruments due to its thin film and repairability.

  • Lesson 2 • Surface Preparation for Finishing

    Sands through progressive grits, fills grain, and inspects for scratches before any finish is applied. Surface quality at this stage determines the final appearance of the instrument.

  • Lesson 3 • Hardware Installation

    Installs tuning machines, strap buttons, and end pin with correct torque and alignment. Proper hardware installation prevents cosmetic damage and ensures reliable function.

  • Lesson 4 • Final Setup and Playability Adjustment

    Strings the instrument, adjusts truss rod relief, and sets nut and saddle action to target specs. A professional setup transforms a built instrument into a playable, responsive guitar.

  • Lesson 5 • Leveling, Buffing, and Polishing

    Wet-sands cured lacquer flat, then compounds and polishes to a high gloss. This sequence removes surface texture and produces a mirror-quality finish.

Certification

Your valid completion certificate

This course is for you:

  • Woodworker: eager to channel existing shop skills into instrument building.

  • Guitarist: determined to understand and construct their own acoustic instrument.

  • Career changer: seeking a skilled trade with creative and commercial potential.

  • Hobbyist maker: ready to commit to a long-form, technically demanding craft project.

  • Music teacher: wanting hands-on knowledge of how acoustic instruments actually work.

  • Repair technician: looking to expand from maintenance work into full instrument builds.

What our students say

Your classes are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to switch platforms... I thank you for everything you do, I've already recommended you to other people...
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Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can switch chapters and skip content I don't need.
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Mariana FerresPhotography Student
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Luciana AlvarengaNail Design Student
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