Choose your language
Design Course
Over 400,000 professionals on the platform
Exclusive for companies

Design Course

4.8

Master the full spectrum of visual design — from foundational principles to professional branding, typography, UI, and portfolio presentation. This course gives you the practical skills and structured process that working designers use every day. Whether you're starting from scratch or leveling up, you'll finish with real work and real confidence.

Dedika for students

What your team will master:

You'll start with the core principles of visual design and build toward advanced topics, including color theory, grid systems, branding, and digital UI design. You'll learn how to read a design brief, develop concepts, and present your decisions to clients and stakeholders. The course covers typography, layout, and composition in depth, with practical exercises at every stage. You'll also explore the basics of motion, social media content systems, and user research methods. By the end, you'll have a polished portfolio and the professional skills to work with clients, collaborate on teams, and grow in the field.

How your team learns in practice Design Course

How your team practices Design Course

Professionals from these companies study at Dedika

ActemiumFR
Nunner LogisticsNL
GT Constructora GeotécnicaCR
Sydel StarBR
Metrô de São PauloBR
Aguas AndinasCL
DSMIN
MeridianbetRS
CDHCN

Course Content

8 Chapters • 40 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Visual Design

  • Lesson 1 • Visual Hierarchy and Flow

    Hierarchy directs viewer attention through size, weight, and placement. Students construct compositions that guide the eye in a deliberate sequence.

  • Lesson 2 • Elements of Visual Composition

    Core visual elements—line, shape, form, space, texture, and value—are introduced as the raw materials of design. Students identify them in real examples.

  • Lesson 3 • Principles of Design

    Principles such as balance, contrast, repetition, alignment, and proximity govern how elements relate. Students apply each principle to simple layout exercises.

  • Lesson 4 • Critique and Design Vocabulary

    Structured critique methods build the ability to articulate design decisions objectively. Students give and receive feedback using shared terminology.

  • Lesson 5 • What Design Is and Does

    Design is defined as purposeful visual problem-solving, not decoration. This framing anchors every subsequent principle in functional intent.

Chapter 2See details

Color Theory and Application

  • Lesson 1 • Color Models and Modes

    RGB, CMYK, and HSB models are explained in terms of their practical use cases. Students select the correct model for screen versus print output.

  • Lesson 2 • Hue, Saturation, and Value

    Tints, shades, and tones are manipulated to control mood and depth. Students adjust HSV parameters to achieve specific visual effects.

  • Lesson 3 • The Color Wheel and Relationships

    Primary, secondary, and tertiary relationships form the basis of color harmony. Students map complementary, analogous, and triadic schemes.

  • Lesson 4 • Color Psychology and Meaning

    Color carries cultural and emotional associations that influence perception. Students map color choices to audience expectations and brand intent.

  • Lesson 5 • Building and Applying Color Palettes

    Systematic palette construction ensures consistency across a design system. Students create primary, secondary, and accent palettes for a defined project.

Chapter 3See details

Typography Fundamentals and Practice

  • Lesson 1 • Spacing, Alignment, and Grid

    Kerning, tracking, leading, and alignment control readability and rhythm. Students apply spacing rules within a grid to achieve professional results.

  • Lesson 2 • Anatomy and Classification of Type

    Letterform anatomy—serifs, stems, bowls, and counters—enables precise type evaluation. Students classify typefaces by historical and structural category.

  • Lesson 3 • Type in Layout and Context

    Type interacts with images, color, and white space to shape the overall composition. Students integrate type into multi-element layouts cohesively.

  • Lesson 4 • Selecting Typefaces for Purpose

    Typeface selection is driven by tone, audience, and medium. Students match typefaces to communication goals using a structured decision framework.

  • Lesson 5 • Typographic Hierarchy and Scale

    Size, weight, and style variations create clear information hierarchy. Students build multi-level type systems for editorial and interface contexts.

Chapter 4See details

Layout, Grid Systems, and Composition

  • Lesson 1 • Constructing and Using Grids

    Grids are built from content requirements, not imposed arbitrarily. Students construct custom grids and place content within them systematically.

  • Lesson 2 • Compositional Strategies

    Rule of thirds, golden ratio, and Z- and F-pattern layouts guide viewer attention. Students apply multiple strategies and compare their visual impact.

  • Lesson 3 • Multi-Page and Multi-Screen Layouts

    Consistency across pages and screens requires systematic layout decisions. Students design spreads and responsive breakpoints using a unified grid.

  • Lesson 4 • Grid Anatomy and Types

    Column, modular, hierarchical, and baseline grids each serve different layout needs. Students identify the appropriate grid type for a given design problem.

  • Lesson 5 • White Space and Visual Breathing Room

    White space is an active design element that improves clarity and elegance. Students calibrate margins, padding, and spacing to reduce visual noise.

Chapter 5See details

Design Process and Problem-Solving

  • Lesson 1 • Research and Inspiration Methods

    Competitive analysis, mood boards, and visual audits inform design direction. Students build a research toolkit that feeds ideation without copying.

  • Lesson 2 • Prototyping and Iteration

    Low- and high-fidelity prototypes test ideas before final production. Students iterate based on structured feedback and measurable criteria.

  • Lesson 3 • Presenting and Defending Design Decisions

    Design rationale must be communicated clearly to stakeholders. Students present work using structured narratives tied to brief requirements.

  • Lesson 4 • Ideation and Concept Development

    Sketching, mind mapping, and rapid iteration generate diverse concepts before committing to digital execution. Students produce multiple viable directions.

  • Lesson 5 • Understanding the Design Brief

    A brief defines scope, audience, constraints, and success criteria. Students deconstruct briefs to extract actionable design requirements.

Chapter 6See details

Branding and Identity Design

  • Lesson 1 • Brand Strategy and Visual Identity

    Brand positioning, personality, and values translate into visual decisions. Students map strategic attributes to design choices before any visual work begins.

  • Lesson 2 • Color and Typography in Branding

    Brand color palettes and type systems must work cohesively across all touchpoints. Students define brand-specific color and type guidelines.

  • Lesson 3 • Brand Guidelines Documentation

    Brand guidelines codify rules for consistent application by any designer or team. Students produce a complete, usable brand standards document.

  • Lesson 4 • Brand System and Touchpoints

    A brand system extends the identity across print, digital, and environmental applications. Students apply the system to diverse real-world touchpoints.

  • Lesson 5 • Logo Design Principles

    Effective logos are simple, scalable, and distinctive across all applications. Students design and refine logos through iterative concept development.

Chapter 7See details

Digital and UI Design Essentials

  • Lesson 1 • Accessibility in Visual Design

    Accessible design meets contrast, size, and structure requirements for all users. Students audit and correct designs against established accessibility standards.

  • Lesson 2 • UI Design Principles and Patterns

    Consistency, feedback, affordance, and clarity define effective UI design. Students analyze existing interfaces and identify principle violations and successes.

  • Lesson 3 • Designing for Screens and Devices

    Screen resolution, pixel density, and device diversity shape design decisions. Students adapt layouts for mobile, tablet, and desktop breakpoints.

  • Lesson 4 • Component and Design System Basics

    Reusable components ensure consistency and speed in UI production. Students build a basic component library with defined states and variants.

  • Lesson 5 • Wireframing and UI Prototyping

    Wireframes define structure before visual styling; prototypes simulate interaction. Students produce annotated wireframes and clickable prototypes for review.

Chapter 8See details

Portfolio Development and Professional Practice

  • Lesson 1 • Digital Portfolio Platforms and Formats

    Platform choice affects discoverability, presentation quality, and maintenance effort. Students evaluate options and build a functional online portfolio.

  • Lesson 2 • Portfolio Strategy and Curation

    Portfolio content is selected to match target roles and audiences, not to show everything. Students define a positioning strategy and select work accordingly.

  • Lesson 3 • Ethics, Intellectual Property, and Standards

    Designers must respect copyright, attribution, and professional ethical standards. Students identify common IP issues and apply ethical decision-making frameworks.

  • Lesson 4 • Client Communication and Project Management

    Professional practice requires clear scoping, contracts, and communication protocols. Students draft project agreements and practice client communication scenarios.

  • Lesson 5 • Case Study Writing and Presentation

    Case studies explain the problem, process, and outcome of each project. Students write structured case studies that demonstrate design thinking, not just output.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring designers: ready to turn creative curiosity into a real skill set.

  • Marketing professionals: wanting to make their own visual decisions instead of outsourcing them.

  • Entrepreneurs: tired of relying on others to communicate their brand visually.

  • Career changers: coming from unrelated fields and aiming for design roles.

  • Developers: looking to strengthen the visual side of their product work.

  • Hobbyist creatives: seeking structure and professional vocabulary behind their instincts.

Related courses

FAQ

Who is Dedika?

Is the certificate valid in United States?

Are the courses free?

What is the course workload?

What are the courses like?

How do the courses work?

What is the duration of the courses?

What is the cost or price of the courses?

What is an EAD or online course and how does it work?

PDF Course