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Sound and Light Technician Training
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Sound and Light Technician Training

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Get the hands-on technical training you need to work confidently as a sound and light technician in live events. This course covers everything from signal flow and DMX programming to rigging safety and show-day troubleshooting. You'll graduate ready to set up, operate, and maintain professional audio and lighting systems on any stage.

Dedika for students

What your team will master:

You'll build a complete skill set across both audio and lighting disciplines, starting with the physics of sound and light and moving through equipment operation, system design, and live show execution. You'll learn to wire and operate mixing consoles, configure DMX networks, program lighting consoles, and rig overhead equipment safely. The course covers wireless audio systems, moving light fixtures, show-day communication, and systematic fault-finding methods. You'll also explore video integration, networked audio protocols, and advanced show control systems. By the end, you'll have the technical knowledge and practical workflow to handle professional productions from load-in to load-out.

How your team learns in practice Sound and Light Technician Training

How your team practices Sound and Light Technician Training

Professionals from these companies study at Dedika

ActemiumFR
Nunner LogisticsNL
GT Constructora GeotécnicaCR
Sydel StarBR
Metrô de São PauloBR
Aguas AndinasCL
DSMIN
MeridianbetRS
CDHCN

Course Content

8 Chapters • 37 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Sound and Light

  • Lesson 1 • Signal Flow Fundamentals

    Traces how audio and lighting signals travel from source to output. Understanding signal flow prevents patching errors and troubleshooting confusion later.

  • Lesson 2 • Physics of Sound

    Covers frequency, wavelength, amplitude, and the speed of sound in air. Establishes the acoustic vocabulary used throughout all subsequent audio chapters.

  • Lesson 3 • Physics of Light

    Introduces electromagnetic spectrum, color temperature, and photometric units. Provides the optical foundation required for fixture selection and design work.

  • Lesson 4 • Electrical Safety Essentials

    Covers voltage, current, grounding, and safe power distribution for stage environments. Safe electrical practice is a prerequisite for all hands-on lab work.

Chapter 2See details

Audio Equipment and Signal Chain

  • Lesson 1 • Microphone Types and Selection

    Compares dynamic, condenser, and ribbon microphones by transducer principle and polar pattern. Correct mic selection directly affects capture quality for every source.

  • Lesson 2 • Wireless Audio Systems

    Introduces RF fundamentals, frequency coordination, and antenna placement for wireless microphones and in-ear monitors. Reliable RF operation requires systematic frequency planning.

  • Lesson 3 • Loudspeaker Systems and Amplification

    Examines speaker types, amplifier classes, and system configurations including line arrays. Students match amplifier power to speaker ratings and configure crossover points.

  • Lesson 4 • Signal Processors and Outboard Gear

    Covers dynamics processors, equalizers, reverb, and delay units in the signal chain. Proper processor use shapes tone and controls dynamics without degrading audio quality.

  • Lesson 5 • Mixing Consoles and Channel Strips

    Explains analog and digital console architecture, channel strip controls, and routing matrices. Mastery here enables confident operation of any mixing desk encountered on the job.

Chapter 3See details

Lighting Equipment and Fixture Types

  • Lesson 1 • Atmospheric and Special Effect Devices

    Introduces haze, fog, strobe, and UV fixtures used to enhance visual impact. Safe operation of atmospheric devices requires knowledge of fluid types and ventilation needs.

  • Lesson 2 • LED and Moving Light Fixtures

    Examines LED source technology, moving head mechanics, and fixture attribute channels. Moving lights expand creative range but require deeper DMX channel management.

  • Lesson 3 • Power Distribution for Lighting

    Covers dimmer racks, distros, socapex wiring, and load balancing across phases. Correct power distribution prevents tripped breakers and equipment damage during shows.

  • Lesson 4 • Conventional Fixture Families

    Covers Fresnel, ellipsoidal, PAR, and cyc fixtures including lamp types and beam control. Conventional fixtures remain the backbone of theatrical and corporate lighting rigs.

Chapter 4See details

DMX Control and Lighting Consoles

  • Lesson 1 • DMX512 Protocol and Network Design

    Explains DMX universe structure, addressing, termination, and data refresh rates. Correct network design eliminates flickering and communication errors across all fixtures.

  • Lesson 2 • Networking and Remote Control

    Covers Art-Net, sACN protocols, and remote console operation over Ethernet. Network-based control enables multi-console setups and remote programming tablets.

  • Lesson 3 • Effects and Chases

    Introduces built-in effect engines, chases, and pixel mapping for dynamic looks. Effects programming adds movement and rhythm that static cues cannot achieve.

  • Lesson 4 • Fixture Patching and Profiling

    Covers console patching, fixture library selection, and custom profile creation. Accurate patching ensures every console control maps correctly to physical fixture attributes.

  • Lesson 5 • Programming Cues and Palettes

    Teaches cue list creation, palette recording, and playback timing parameters. Organized programming reduces show-day errors and speeds up last-minute changes.

Chapter 5See details

Rigging, Load-In, and Stage Safety

  • Lesson 1 • Rigging Fundamentals

    Covers load calculations, hardware ratings, and rigging point inspection for overhead equipment. Every rigging decision must account for dynamic loads and safety factors.

  • Lesson 2 • Truss Systems and Ground Support

    Examines truss types, ground support tower assembly, and pre-rig procedures. Correct assembly sequence prevents structural failure during load-in and show operation.

  • Lesson 3 • Health, Safety, and Risk Assessment

    Covers risk assessment documentation, personal protective equipment, and emergency procedures for live events. Proactive safety planning protects crew, artists, and audiences.

  • Lesson 4 • Cable Management and Stage Layout

    Establishes best practices for cable runs, labeling, and stage layout to ensure safety and efficiency. Organized cable management reduces trip hazards and speeds troubleshooting.

Chapter 6See details

Live Sound System Setup and Operation

  • Lesson 1 • System Alignment and Tuning

    Uses measurement software, real-time analyzers, and time alignment tools to optimize system response. Aligned systems translate the mix engineer's intent accurately to the audience.

  • Lesson 2 • Mixing Techniques for Live Performance

    Applies EQ, dynamics, and effects decisions in real time during a live performance. Reactive mixing skills separate competent engineers from exceptional ones.

  • Lesson 3 • Stage Patching and Input Lists

    Covers stage box wiring, input list creation, and gain structure from stage to console. A clean input list prevents confusion during load-in and soundcheck.

  • Lesson 4 • Soundcheck Workflow

    Establishes a systematic soundcheck sequence for individual sources and full-band balance. Efficient soundchecks respect artist time and reveal system issues before showtime.

  • Lesson 5 • System Design and Speaker Placement

    Applies coverage angle calculations and delay timing to design speaker arrays for venues. Proper placement maximizes even coverage and minimizes feedback risk.

Chapter 7See details

Lighting Design and Programming for Live Events

  • Lesson 1 • Principles of Stage Lighting Design

    Covers angle, intensity, color, and texture as the four core design variables. Understanding these variables enables intentional, expressive lighting choices for any production.

  • Lesson 2 • Show Programming for Theater and Corporate

    Adapts programming techniques for scripted theatrical cues and corporate presentation needs. Different event types demand distinct cueing philosophies and console workflows.

  • Lesson 3 • Rig Planning and Plot Creation

    Teaches lighting plot drafting, fixture scheduling, and channel assignment documentation. A complete plot enables efficient load-in and clear communication with the crew.

  • Lesson 4 • Focus and Beam Shaping

    Covers safe ladder and lift procedures for focusing conventional and moving fixtures. Precise focus ensures each fixture illuminates its intended area without spill.

  • Lesson 5 • Show Programming for Music Events

    Applies cue lists, chases, and effects to program a concert lighting show. Music-driven programming requires understanding song structure and energy arc.

Chapter 8See details

Troubleshooting and Show-Day Operations

  • Lesson 1 • Preventive Maintenance and Equipment Care

    Covers cleaning schedules, firmware updates, connector inspection, and storage practices. Regular maintenance extends equipment life and prevents show-day failures.

  • Lesson 2 • Show-Day Communication and Coordination

    Establishes protocols for intercom use, cue calling, and cross-department coordination during live events. Clear communication prevents missed cues and safety incidents.

  • Lesson 3 • Systematic Fault-Finding Methods

    Introduces signal-path isolation, substitution testing, and divide-and-conquer diagnostic logic. A structured approach resolves faults faster than random component swapping.

  • Lesson 4 • Common Audio Faults and Fixes

    Addresses hum, buzz, dropout, feedback, and distortion causes with targeted remedies. Recognizing fault signatures quickly minimizes downtime during live events.

  • Lesson 5 • Common Lighting Faults and Fixes

    Covers DMX errors, fixture lockups, dimmer flicker, and network communication failures. Fast lighting fault resolution keeps the show running without visible interruption.

Certification

Your valid completion certificate

This course is for you:

  • Stage crew volunteers: ready to turn hands-on experience into formal technical expertise.

  • Music enthusiasts: passionate about concerts and eager to work the production side professionally.

  • Theater students: seeking technical depth beyond performance to pursue backstage crew careers.

  • AV assistants: already handling basic setups but lacking structured training in both disciplines.

  • Career changers: leaving unrelated fields to pursue a skilled trade in live event production.

  • Event coordinators: wanting technical fluency to communicate effectively with their production crews.

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