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Basic Sound Equipment Course
More than 2 million students worldwide

Basic Sound Equipment Course

Get a rock-solid foundation in professional sound equipment — from acoustics and signal flow to live PA systems and studio gear. This course covers everything a working audio technician needs to set up, operate, and troubleshoot equipment in any environment. Whether you're heading into live sound, recording, or installed audio, you'll build the technical knowledge to do the job right.

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What you'll learn:

  • Understand acoustic principles, decibel maths, and room behaviour to solve real-world audio problems.

  • Configure complete signal chains from microphone to speaker with proper gain staging throughout.

  • Select and place microphones using transducer types and polar patterns for any source or venue.

  • Operate mixing consoles and apply EQ, compression, and effects processing for professional results.

  • Match amplifiers and loudspeakers correctly, and design speaker arrays for even, reliable coverage.

  • Apply systematic fault-finding methods and electrical safety practices to keep systems running safely.

How you study in practice Basic Sound Equipment Course

How you practise Basic Sound Equipment Course

For businesses looking to train their team

With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course content

8 Chapters • 34 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Sound Fundamentals and Acoustics Basics

  • Lesson 1 • The Decibel Scale Explained

    Introduces logarithmic measurement of sound level and power. Students gain the maths skills to read meters and compare signal levels accurately.

  • Lesson 2 • Human Hearing and Perception

    Examines how the ear processes frequency and loudness. Connects psychoacoustics to practical mixing and monitoring decisions.

  • Lesson 3 • Room Acoustics and Sound Behaviour

    Explains reflection, absorption, diffusion, and standing waves in enclosed spaces. Prepares students to diagnose acoustic problems before touching equipment.

  • Lesson 4 • Physics of Sound Waves

    Covers frequency, wavelength, amplitude, and wave propagation. Establishes the physical vocabulary needed for every subsequent equipment topic.

Chapter 2See details

Signal Flow and Audio Signal Types

  • Lesson 1 • Analogue Signal Fundamentals

    Defines mic-level, line-level, and instrument-level signals. Establishes why matching levels across devices is critical to clean audio.

  • Lesson 2 • Connectors, Cables, and Adapters

    Identifies XLR, TRS, TS, RCA, and digital connector types and their correct applications. Prevents wiring errors that degrade signal quality.

  • Lesson 3 • Digital Audio Concepts

    Covers sampling rate, bit depth, and analogue-to-digital conversion. Bridges the gap between analogue sources and digital processing equipment.

  • Lesson 4 • Signal Chain Architecture

    Traces audio from microphone through processing to amplifier and speaker. Students learn to draw and verify complete signal flow diagrams.

Chapter 3See details

Microphones: Types, Techniques, and Placement

  • Lesson 1 • Microphone Transducer Types

    Compares dynamic, condenser, and ribbon transducer technologies. Students understand the trade-offs in sensitivity, frequency response, and durability.

  • Lesson 2 • Polar Patterns and Directionality

    Explains cardioid, omnidirectional, figure-8, and hypercardioid patterns. Connects pattern choice to feedback rejection and room sound control.

  • Lesson 3 • Microphone Placement Techniques

    Covers close-miking, distant-miking, and stereo techniques for instruments and voice. Students apply placement rules to control tone and room ambience.

  • Lesson 4 • Wireless Microphone Systems

    Introduces RF transmission, frequency coordination, and antenna placement for wireless systems. Students can set up and troubleshoot basic wireless rigs.

Chapter 4See details

Mixing Consoles and Signal Processing

  • Lesson 1 • Dynamics Processing: Compression and Gating

    Explains threshold, ratio, attack, release, and knee for compressors and gates. Students control dynamic range to achieve consistent, professional-sounding audio.

  • Lesson 2 • Effects Processing: Reverb and Delay

    Introduces time-based effects and their send/return routing in a mix. Students use reverb and delay to create depth without cluttering the mix.

  • Lesson 3 • Mixing Console Architecture

    Maps channel strips, buses, aux sends, and master sections on analogue and digital desks. Students navigate any console layout with confidence.

  • Lesson 4 • Gain Structure and Metering

    Establishes correct gain staging from preamp to master fader. Students set levels that maximise headroom and minimise noise across the mix.

  • Lesson 5 • Equalisation Principles and Practice

    Covers parametric, graphic, and shelving EQ types and their musical applications. Students shape tone and solve frequency conflicts in a mix.

Chapter 5See details

Power Amplifiers and Speaker Systems

  • Lesson 1 • Power Amplifier Fundamentals

    Covers amplifier classes A, B, AB, and D and their efficiency trade-offs. Students select amplifiers appropriate for touring, installed, and studio use.

  • Lesson 2 • Subwoofer Integration and Crossover Setup

    Covers low-frequency extension, crossover point selection, and subwoofer placement. Students integrate subs seamlessly with full-range cabinets.

  • Lesson 3 • Amplifier-to-Speaker Matching

    Applies impedance, power, and sensitivity calculations to system design. Students avoid underpowering, overpowering, and impedance mismatch errors.

  • Lesson 4 • Loudspeaker Design and Components

    Explains drivers, crossovers, enclosure types, and sensitivity ratings. Students interpret speaker specifications to predict real-world performance.

Chapter 6See details

Live Sound System Design and Setup

  • Lesson 1 • Soundcheck Workflow and Show Operation

    Structures the soundcheck sequence from line check to full-band balance. Students manage a show from doors-open through performance with professional efficiency.

  • Lesson 2 • Venue Assessment and System Planning

    Teaches reading venue dimensions, audience coverage needs, and power availability. Students produce a system plan before any equipment is loaded in.

  • Lesson 3 • System Alignment and Tuning

    Uses measurement software, real-time analysers, and delay alignment to optimise system response. Students tune a system to a target curve in a real venue.

  • Lesson 4 • Monitor and In-Ear Monitor Systems

    Explains wedge monitor mixing, in-ear monitor (IEM) systems, and personal mixing. Students build monitor mixes that serve performers without causing feedback.

  • Lesson 5 • Speaker Array Design and Placement

    Covers point-source, line-array, and distributed speaker configurations. Students choose and position arrays to achieve even coverage with minimal feedback.

Chapter 7See details

Recording Studio Equipment and Workflow

  • Lesson 1 • Studio Monitor Selection and Placement

    Explains near-field, mid-field, and reference monitor characteristics and placement rules. Students create a reliable listening environment for accurate mixing decisions.

  • Lesson 2 • Digital Audio Workstation Fundamentals

    Introduces DAW session structure, track types, and routing. Students create, organise, and navigate a multi-track session efficiently.

  • Lesson 3 • Outboard Gear and Hardware Integration

    Covers hardware compressors, EQs, and effects units patched into a DAW session. Students integrate analogue outboard gear without disrupting digital workflow.

  • Lesson 4 • Audio Interfaces and Preamps

    Covers interface I/O, preamp quality, and clock sources for studio recording. Students configure an interface for low-latency, high-quality tracking sessions.

Chapter 8See details

Equipment Maintenance, Safety, and Troubleshooting

  • Lesson 1 • Electrical Safety for Audio Professionals

    Covers grounding, ground loops, shock hazards, and safe power distribution. Students apply electrical safety practices before every setup and teardown.

  • Lesson 2 • Systematic Fault-Finding Methods

    Applies signal-path isolation and substitution to locate audio faults efficiently. Students resolve no-signal, noise, and distortion problems under live conditions.

  • Lesson 3 • Hearing Conservation and Safe SPL Practices

    Addresses occupational noise exposure limits, dosimetry, and hearing protection. Students implement SPL management strategies that protect performers and crew.

  • Lesson 4 • Preventive Maintenance Routines

    Establishes inspection, cleaning, and testing schedules for all equipment categories. Students extend equipment lifespan and reduce show-stopping failures.

Certification

Your valid completion certificate

This course is for you:

  • Aspiring live sound technicians: keen to work concerts, theatres, or touring productions.

  • Home studio enthusiasts: ready to properly understand the gear behind their recordings.

  • Event production assistants: looking to specialise and take ownership of audio responsibilities.

  • Musicians and performers: wanting to stop relying on others for their own sound setup.

  • Career changers from AV or IT: bringing transferable skills into professional audio work.

  • Venue staff and stagehands: aiming to expand their role into dedicated audio technician positions.

What our students say

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