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Mixing and Mastering Course
More than 2 million students worldwide

Mixing and Mastering Course

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Learn to mix and master music to a professional standard, from setting up your DAW and shaping frequencies to applying dynamics processing and delivering polished masters. This course covers every stage of the audio production chain with practical, hands-on techniques. Whether you're finishing your first track or levelling up your engineering skills, you'll walk away with the tools and knowledge to make your music sound release-ready.

Dedika for businesses

What you will learn:

You'll build a complete understanding of digital audio fundamentals, signal flow, and DAW configuration before moving into EQ, compression, reverb, and delay techniques used in professional mixing. You'll learn how to control the frequency spectrum, manage dynamic range, and create depth and width in your mixes. The mastering section covers tonal balance, loudness standards, brick-wall limiting, and proper export for streaming platforms. You'll also explore vocal production, drum processing, immersive audio formats, and the business side of working as a mixing and mastering engineer.

How you study in practice Mixing and Mastering Course

How you practise Mixing and Mastering Course

For businesses looking to train their team

With Dedika for businesses, the course includes exercises and examples tailored to your own business and the way your company needs.

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Course content

8 Chapters • 38 LessonsDuration between 4 and 360 hours (you decide)

Chapter 1See details

Foundations of Audio and the DAW

  • Lesson 1 • DAW Setup and Session Configuration

    Guides students through interface setup, driver selection, and session templates. Proper configuration prevents technical issues in every subsequent workflow.

  • Lesson 2 • Monitoring and Listening Environment

    Addresses speaker placement, room acoustics, and reference headphones. Accurate monitoring is the foundation of every mixing and mastering decision.

  • Lesson 3 • Signal Flow and Gain Staging

    Explains how audio travels from input to output and why level management matters. Correct gain staging prevents distortion and noise in the mix.

  • Lesson 4 • Digital Audio Fundamentals

    Covers sample rate, bit depth, and the analogue-to-digital conversion process. Establishes the technical vocabulary used throughout the entire course.

Chapter 2See details

Understanding Frequency and EQ

  • Lesson 1 • Frequency Balance Across the Mix

    Applies spectrum analysis to evaluate overall tonal balance against reference tracks. Students learn to make the full mix translate across playback systems.

  • Lesson 2 • EQ Types and Filter Shapes

    Compares parametric, graphic, and dynamic EQ designs along with filter types. Students select the right tool for each corrective or creative task.

  • Lesson 3 • Creative and Additive EQ

    Explores boosting techniques that enhance character, air, and warmth in a source. Additive EQ shapes the tonal identity of each element in the mix.

  • Lesson 4 • The Frequency Spectrum Explained

    Maps the audible spectrum from sub-bass to air frequencies and their perceptual qualities. This context drives every EQ decision made in mixing.

  • Lesson 5 • Corrective EQ Techniques

    Teaches surgical removal of resonances, mud, and harshness from individual tracks. Corrective EQ prepares sources for transparent blending in the mix.

Chapter 3See details

Dynamics Processing Essentials

  • Lesson 1 • Expansion, Gating, and Transient Shaping

    Covers downward expansion, noise gates, and transient designers for dynamic control. These tools clean up recordings and add punch to percussive elements.

  • Lesson 2 • How Compression Works

    Explains threshold, ratio, attack, release, and knee parameters in detail. Understanding these controls is prerequisite to all dynamics processing tasks.

  • Lesson 3 • Compression on Individual Instruments

    Applies compression settings tailored to drums, bass, vocals, and guitars. Instrument-specific techniques build the practical skill set for full mix work.

  • Lesson 4 • Compression Styles and Compressor Types

    Compares VCA, FET, optical, and tube compressor behaviours and their sonic signatures. Each type suits specific instruments and creative goals.

  • Lesson 5 • Multiband Compression Fundamentals

    Introduces frequency-dependent compression for controlling specific spectral regions. Multiband processing bridges individual track work and mastering applications.

Chapter 4See details

Spatial Processing and Mix Depth

  • Lesson 1 • Panning and Stereo Placement

    Establishes rules and creative approaches for positioning elements across the stereo field. Intentional panning prevents clutter and improves mix clarity.

  • Lesson 2 • Send and Return Routing for Effects

    Teaches aux send routing to share reverb and delay across multiple tracks efficiently. Proper routing reduces CPU load and maintains consistent spatial glue.

  • Lesson 3 • Creating Front-to-Back Depth

    Uses volume, EQ, and reverb together to simulate distance and perspective in the mix. Depth perception separates professional mixes from flat-sounding ones.

  • Lesson 4 • Reverb Types and Parameters

    Compares room, hall, plate, and convolution reverbs and their parameter controls. Selecting the right reverb type defines the acoustic environment of the mix.

  • Lesson 5 • Delay Techniques for Space and Rhythm

    Applies tempo-synced and free delays to add depth, width, and rhythmic interest. Delay complements reverb without cluttering the mix.

Chapter 5See details

Mixing Workflow and Session Management

  • Lesson 1 • Referencing and Critical Listening

    Uses commercial reference tracks and A/B comparison to evaluate mix decisions objectively. Regular referencing prevents ear fatigue from skewing judgment.

  • Lesson 2 • Exporting Stems and Mix Deliverables

    Covers stem export settings, file naming, and format requirements for different delivery contexts. Correct export practices protect the mix for mastering and distribution.

  • Lesson 3 • Building the Mix in Stages

    Introduces a staged approach: drums, bass, harmony, melody, and vocals in sequence. Staged building prevents frequency conflicts and maintains mix perspective.

  • Lesson 4 • Automation for Dynamic Mixes

    Applies volume, pan, and plugin parameter automation to add life and movement. Automation transforms a static balance into an expressive, evolving mix.

  • Lesson 5 • Organising and Preparing the Session

    Covers track naming, colour coding, grouping, and gain staging before mixing begins. A clean session reduces decision fatigue and speeds up the entire process.

Chapter 6See details

Mastering Fundamentals and Preparation

  • Lesson 1 • Loudness Standards and Targets

    Explains integrated loudness, true peak, and platform-specific loudness normalisation targets. Meeting these standards ensures consistent playback across all streaming services.

  • Lesson 2 • What Mastering Is and Is Not

    Defines mastering's scope: tonal balance, loudness, sequencing, and format preparation. Clarifying mastering's limits prevents unrealistic expectations and poor decisions.

  • Lesson 3 • Mastering Session Setup

    Configures the mastering DAW with correct routing, metering, and reference monitoring. A properly configured session ensures accurate decisions throughout mastering.

  • Lesson 4 • Evaluating the Mix Before Mastering

    Teaches critical listening and metering to identify mix issues before applying any processing. Early problem detection saves time and produces better mastering outcomes.

Chapter 7See details

Mastering EQ, Compression, and Limiting

  • Lesson 1 • Mastering Compression Techniques

    Uses gentle bus compression to add cohesion, glue, and controlled dynamics to the master. Mastering compression differs from mixing compression in subtlety and intent.

  • Lesson 2 • Mastering EQ Approaches

    Applies broad, gentle EQ moves to correct tonal balance across the full mix. Mastering EQ requires subtlety because every adjustment affects all elements simultaneously.

  • Lesson 3 • Stereo Enhancement in Mastering

    Applies mid-side processing and stereo widening to improve spatial balance without phase issues. Stereo enhancement must remain mono-compatible for all playback systems.

  • Lesson 4 • Multiband and Dynamic Processing in Mastering

    Uses multiband compression and dynamic EQ to address frequency-specific dynamic problems. These tools solve issues that broadband processing cannot handle without side effects.

  • Lesson 5 • Brick-Wall Limiting for Loudness

    Applies a true-peak limiter as the final stage to achieve target loudness without distortion. Limiter settings directly determine the perceived loudness and clarity of the master.

Chapter 8See details

Album Sequencing, Delivery, and Quality Control

  • Lesson 1 • Distribution and Platform Submission

    Guides students through submitting masters to digital distributors and physical replication services. Understanding platform requirements prevents rejections and ensures correct playback.

  • Lesson 2 • Quality Control and Final Review

    Performs a systematic QC pass covering dropouts, clicks, clipping, and metadata accuracy. QC is the final safeguard before a master reaches the public.

  • Lesson 3 • Format Preparation and Export

    Exports masters in the correct formats for streaming, CD, vinyl, and broadcast delivery. Each format has unique loudness, resolution, and file specification requirements.

  • Lesson 4 • Metadata and Embedded Information

    Embeds ISRC codes, artist data, and track titles into master files for distribution. Correct metadata ensures proper royalty tracking and catalogue identification.

  • Lesson 5 • Album Sequencing and Track Spacing

    Arranges tracks for emotional flow, consistent loudness, and appropriate gaps between songs. Sequencing transforms individual masters into a cohesive listening experience.

Certification

Your valid completion certificate

This course is for you:

  • Bedroom producers: ready to stop guessing and start hearing results.

  • Singer-songwriters: wanting full control over their finished recordings.

  • Aspiring audio engineers: building a career in mixing or mastering professionally.

  • Podcast and content creators: needing polished, broadcast-quality audio output.

  • Music school graduates: bridging the gap between theory and real studio practice.

  • Hobbyist musicians: serious about releasing music that sounds commercially competitive.

What our students say

Your lessons are perfect. I purchased the one-year package and finally have the opportunity to follow various topics of interest without needing to change platforms... I'm grateful for everything you do, I've already recommended you to other people...
Giulio Carlo
Giulio CarloDigital Marketing Student
I like how the lessons are straight to the point and how I can change chapters and skip content I don't need.
Mariana Ferres
Mariana FerresPhotography Student
I like the content and the way videos are presented and transcribed, which speeds up the process!
Luciana Alvarenga
Luciana AlvarengaNail Design Student
The platform is fast and simple to use. The diversity of content and complementary videos really help with learning.
André Felipe
André FelipePrompt Engineering Student

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