
Film and TV Scriptwriting Course
Learn to write screenplays and television pilots that meet professional industry standards from premise to final draft. This course covers story structure, character development, dialogue craft, genre conventions, and the business of screenwriting. Whether you're writing your first spec script or developing a series, you'll finish with market-ready work and the skills to keep producing.
What you will learn:
You'll learn how to format scripts correctly, build airtight story structures, and create characters with genuine psychological depth. You'll study dialogue techniques that reveal character without on-the-nose exposition, and apply genre conventions with enough originality to stand out. The course covers television writing, series bible development, and the rewriting process professionals actually use. You'll also explore adaptation, AI-assisted workflows, and the business side of screenwriting, including agents, pitching, and competitions. By the end, you'll have a complete, polished script and a clear strategy for getting it read.
How you study in practice Film and TV Scriptwriting Course
How you practise Film and TV Scriptwriting Course
For companies looking to train their team
With Dedika for businesses, the course includes exercises and examples tailored to your own business and the specific needs of your company.
Course content
8 Chapters • 39 LessonsDuration between 4 and 360 hours (you decide)
Chapter 1HideHide detailsSee detailsFoundations of Screenwriting
Foundations of Screenwriting
Lesson 1 • Screenwriting Software Essentials
Covers industry-standard screenwriting applications and their core features. Efficient tool use accelerates drafting and ensures format compliance automatically.
Lesson 2 • The Screenwriter's Role and Craft
Defines the screenwriter's function in film and TV production pipelines. Establishes why format and visual storytelling discipline are non-negotiable professional standards.
Lesson 3 • Industry-Standard Script Format
Teaches slug lines, action lines, dialogue blocks, and transitions using professional formatting rules. Correct format signals professionalism and ensures accurate page-per-minute timing.
Lesson 4 • Core Screenplay Terminology
Introduces essential vocabulary used on set and in development meetings. Mastery of terms prevents miscommunication with directors, editors, and producers.
Chapter 2HideHide detailsSee detailsStory Structure and Architecture
Story Structure and Architecture
Lesson 1 • Outlining and Beat Sheets
Provides practical methods for building detailed outlines before drafting. A strong outline reduces rewriting time and keeps the story on structural track.
Lesson 2 • Alternative Structural Models
Examines the Hero's Journey, Save the Cat beat sheet, and five-act TV structures. Exposure to multiple models gives writers flexible tools for different genres and formats.
Lesson 3 • Subplots and Parallel Storylines
Explains how subplots mirror, complicate, or contrast the main plot to deepen theme. Writers learn to weave multiple storylines without losing narrative momentum.
Lesson 4 • Premise, Theme, and Central Question
Teaches how to distil a story into a single compelling premise and thematic argument. A clear premise guides every structural and character decision throughout the script.
Lesson 5 • Classical Three-Act Structure
Breaks down setup, confrontation, and resolution with precise turning-point placement. Understanding act breaks allows writers to diagnose and fix pacing problems in any draft.
Chapter 3HideHide detailsSee detailsCharacter Creation and Development
Character Creation and Development
Lesson 1 • Protagonist and Antagonist Dynamics
Examines how protagonist and antagonist mirror each other to sharpen thematic conflict. Strong antagonists are built from the same desire as the protagonist but pursue it differently.
Lesson 2 • Character Desire, Need, and Flaw
Distinguishes between what a character consciously wants and what they unconsciously need. This gap generates internal conflict and sustains audience engagement across the entire script.
Lesson 3 • Character Arc and Transformation
Maps positive, negative, and flat character arcs onto structural turning points. Writers learn to anchor arc moments to plot events so transformation feels earned.
Lesson 4 • Character Research and Authenticity
Covers research methods for writing characters outside the writer's lived experience. Authentic representation strengthens credibility and broadens the script's audience appeal.
Lesson 5 • Supporting Characters and Ensemble Casts
Teaches how to differentiate supporting characters through distinct voice, function, and desire. Each supporting role must serve the protagonist's arc or the thematic argument.
Chapter 4HideHide detailsSee detailsScene Writing and Dramatic Tension
Scene Writing and Dramatic Tension
Lesson 1 • Scene Goals and Conflict
Every scene must have a character goal, an obstacle, and an outcome that changes the story. Writers learn to identify and sharpen these three elements before drafting any scene.
Lesson 2 • Set Pieces and Signature Scenes
Identifies high-impact scenes that define a script's tone and marketability. Writers learn to design and execute set pieces that showcase genre and character simultaneously.
Lesson 3 • Pacing and Scene Rhythm
Controls scene length, white space, and sentence rhythm to modulate emotional tempo. Writers learn to vary pace deliberately rather than letting it default to monotony.
Lesson 4 • Entering and Exiting Scenes
Teaches the principle of entering scenes late and leaving early to maximise momentum. Precise entry and exit points eliminate dead air and keep readers turning pages.
Lesson 5 • Subtext and Dramatic Irony
Explores how characters say one thing while meaning another to create layered tension. Dramatic irony is used to give audiences information that characters lack.
Chapter 5HideHide detailsSee detailsDialogue Craft and Voice
Dialogue Craft and Voice
Lesson 1 • Reading Dialogue Aloud and Revision
Uses table reads and cold readings to identify unnatural rhythms and clunky exposition. Ear-based revision is the fastest method for polishing dialogue to performance-ready quality.
Lesson 2 • Exposition Through Dialogue
Covers techniques for delivering necessary backstory without halting dramatic momentum. Exposition is hidden inside conflict, humour, or revelation to keep scenes alive.
Lesson 3 • Distinct Character Voice
Teaches how vocabulary, syntax, rhythm, and evasion patterns differentiate characters. Readers should identify any character from dialogue alone without reading the character name.
Lesson 4 • Writing Authentic Vernacular
Addresses dialect, slang, and period-specific speech without alienating readers. Writers learn to suggest authenticity through selective word choice rather than phonetic spelling.
Lesson 5 • Principles of Effective Dialogue
Establishes that great dialogue is selective, purposeful, and always in conflict. Every line must do at least two jobs: reveal character and advance plot or tension.
Chapter 6HideHide detailsSee detailsGenre Conventions and Tone
Genre Conventions and Tone
Lesson 1 • Drama and Thriller Conventions
Examines the structural and tonal demands of dramatic and thriller screenplays. Tension mechanics, moral stakes, and revelation timing are the core craft tools for both genres.
Lesson 2 • Comedy Structure and Timing
Breaks down comedic structure, joke architecture, and the rule of three in screenwriting. Comic timing on the page is achieved through line length, spacing, and beat placement.
Lesson 3 • Understanding Genre as Contract
Frames genre as a promise made to the audience that must be honoured and subverted strategically. Writers learn to identify genre conventions before deciding which to keep or break.
Lesson 4 • Horror, Sci-Fi, and Fantasy World Rules
Covers how speculative genres require internally consistent world rules established early. Breaking established rules destroys audience trust and collapses narrative credibility.
Lesson 5 • Tone, Mood, and Tonal Consistency
Teaches how word choice, scene construction, and pacing create and sustain a tonal register. Tonal inconsistency is one of the most common reasons scripts are passed on by readers.
Chapter 7HideHide detailsSee detailsTelevision Writing and Series Development
Television Writing and Series Development
Lesson 1 • Series Engine and Ongoing Conflict
Defines the series engine as the renewable source of conflict that sustains multiple seasons. Writers learn to distinguish episodic procedural engines from serialised arc engines.
Lesson 2 • TV Format Fundamentals
Distinguishes half-hour, one-hour, limited series, and streaming formats by structure and page count. Format choice shapes every structural and tonal decision in a television project.
Lesson 3 • The Series Bible
Covers the components of a professional series bible used to pitch to networks and streamers. A compelling bible sells the world, characters, and long-term story potential in one document.
Lesson 4 • Writers' Room Dynamics
Prepares writers for the collaborative, hierarchical environment of a professional TV writers' room. Understanding room etiquette and pitching protocol is essential for staff writer employment.
Lesson 5 • Pilot Script Structure
Teaches the unique demands of a pilot: introduce world, characters, and series engine simultaneously. A pilot must function as a standalone story while promising infinite future stories.
Chapter 8HideHide detailsSee detailsRewriting, Feedback, and Professional Polish
Rewriting, Feedback, and Professional Polish
Lesson 1 • The Rewriting Mindset
Reframes rewriting as the primary craft of screenwriting, not a corrective afterthought. Writers learn to detach from first-draft choices and evaluate scripts with editorial objectivity.
Lesson 2 • Coverage, Competitions, and Submission
Explains how professional script coverage works and how to use it to improve scripts. Writers learn submission strategies for competitions, fellowships, and agency query processes.
Lesson 3 • Receiving and Applying Notes
Covers how to interpret, prioritise, and apply script notes from readers, executives, and peers. Writers learn to distinguish useful diagnostic notes from prescriptive notes that miss the real problem.
Lesson 4 • Line-Level Polish and Proofreading
Addresses action line economy, redundant description, and formatting errors in final passes. A clean, error-free script signals professionalism and respects the reader's time.
Lesson 5 • Structural and Character Revision
Teaches a top-down revision process starting with structure before addressing dialogue. Fixing structure first prevents wasted effort polishing scenes that may be cut.
Your valid completion certificate
This course is for you:
Aspiring screenwriters: ready to move beyond ideas into actual scripts.
Fiction writers: wanting to translate their storytelling instincts to the screen.
Theater playwrights: looking to adapt their dramatic skills to film format.
Career changers: drawn to the entertainment industry from unrelated professional backgrounds.
Film students: seeking structured craft training beyond what school provides.
TV enthusiasts: who study shows obsessively and want to create their own.
What our students say
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